Due to our upcoming Sundance Film Festival coverage, ratings posts for the remainder of the week are likely to consist largely of charts without text.  In addition, we may not be able to respond promptly to reader Comments requests for extra ratings.  (On the other hand, Sundance reviews!)

  As has been generally reported, this year’s Toronto Film Festival wasn’t a dominant one, lacking the kind of overwhelming favorites that The King’s Speech and Argo have been in recent years.  Some potentially major upcoming films chose to screen at other festivals (Birdman at Venice, Gone Girl and Inherent Vice in New York), while […]

  THE LAST 5 YEARS (Radius/Weinstein) – release date currently unscheduled – Worth A Ticket Richard LaGravenese’s  film version of Jason Robert Brown’s THE LAST 5 YEARS, which premiered at the Toronto Film Festival and was acquired for release by the Radius division of the Weinstein Company, is a must-see for anyone who loves musicals–and very […]

  THIS IS WHERE I LEAVE YOU (Warners) – Opens September 19 – Worth A Ticket Jonathan Tropper’s very successful day job is writing seriocomic novels about families and romance that are distinguished by their male protagonists–the ground he trods is similar to Nick Hornby’s, but without quite matching Hornby’s freshness of approach or wit.  […]

  THE THEORY OF EVERYTHING (Focus/Universal) – Opens November 7  – Worth A Ticket There’s a benefit but also a burden to being clear-cut “Oscar bait.”  At this point we all know the kinds of movies the Academy looks upon with favor:  serious biographies, period pieces, leading actors who contort themselves in one way or […]

  TOP FIVE:  No Current US Distributor or Release Date (but that will change very soon) – Worth A Ticket Chris Rock is generally considered among the greatest stand-ups of his generation, and it’s been clear for some time that he wants to move up to the next cultural echelon, the level of regard where […]

  BLACK AND WHITE – no current US distributor or release date – Not Even For Free BLACK AND WHITE was reportedly drawn from events in its writer/director Mike Bender’s own life, which makes it remarkable, on some bizarro level, that every single element of Binder’s script feels false and contrived.  Binder has been a […]

  NIGHTCRAWLER (Open Road) – Opens October 31 – Worth A Ticket Over the past few years, Jake Gyllenhaal has seemed determined to scrub the wholesomeness out of his screen image, in movies like Zodiac, Brothers, End of Watch and Prisoners.  He achieves true creep-ness in NIGHTCRAWLER, which premiered at the Toronto Film Festival before […]