> For anyone attending the Toronto International Film Festival that begins in just over 2 weeks, today was a crucial day:  the release of the Festival schedule.  (TIFF also announced some not-shabby final additions to its roster of titles, including Gus Van Sant’s Restless and Jonathan Demme’s third and latest Neil Young documentary.)   Now […]

> Like any showbiz stripper, the Sundance Film Festival has left its most notable revelations for last:  after releasing its Competition Entries and its Midnight and Other Fringe Titles, today the Festival announced its highest-profile Premiere films, both scripted and documentary.  They seem a bit lower-key than usual this year, with stars and filmmakers notable […]

  One of the things that happens at film festivals is that as you see many films in back-to-back proximity, mini-trends start to emerge, at least in the mind, and pictures that were made entirely separately, and which may well end up released months apart from each other, seem to be in direct competition.  So […]

  The screenplay for THE SPECTACULAR NOW, a Dramatic Competition entry at Sundance, was written by the team of Scott Neustadter and Michael H. Weber, who also wrote (500) Days of Summer, but the new film has none of the breezy and somewhat gimmicky visual style of that hit.  Director James Ponsoldt, instead, goes to the […]

  LONE SURVIVOR:  Buy A Ticket – A Powerfully Visceral Tale of War Peter Berg’s LONE SURVIVOR, which was shown at the AFI Film Festival tonight in advance of its release late next month, is a docudrama in the truest sense:  based on the memoir by Navy SEAL Marcus Luttrell, it exists with one aim […]

  THE THEORY OF EVERYTHING (Focus/Universal) – Opens November 7  – Worth A Ticket There’s a benefit but also a burden to being clear-cut “Oscar bait.”  At this point we all know the kinds of movies the Academy looks upon with favor:  serious biographies, period pieces, leading actors who contort themselves in one way or […]

  For this audience member, it was the day Toronto moved into high gear. MOONLIGHT (A24 – October 21):  Barry Jenkins’s second film, after his little-seen but much-praised Medicine For Melancholy, is a validation of film festival culture and a reminder of the power of film as personal expression.  (Although the source material is a […]

  I THINK WE’RE ALONE NOW (no distrib):  Pop culture seems to have an endless fascination with the post-apocalypse, and I Think We’re Alone Now has plenty of pedigree, hailing from Handmaid’s Tale pilot director Reed Morano, and with Peter Dinklage and Elle Fanning as seemingly the last people on Earth.  Nevertheless, it’s a misfire, […]