Michael Shannon is brilliant in ICEMAN, but it has to be said that he’s brilliant in just about the same way that he was in Take Shelter, in Revolutionary Road, on Boardwalk Empire, and even in The Runaways (although at least there he got to be funny).  For an actor who only became known to a wide audience 3 years ago […]

  LONE SURVIVOR:  Buy A Ticket – A Powerfully Visceral Tale of War Peter Berg’s LONE SURVIVOR, which was shown at the AFI Film Festival tonight in advance of its release late next month, is a docudrama in the truest sense:  based on the memoir by Navy SEAL Marcus Luttrell, it exists with one aim […]

  THE THEORY OF EVERYTHING (Focus/Universal) – Opens November 7  – Worth A Ticket There’s a benefit but also a burden to being clear-cut “Oscar bait.”  At this point we all know the kinds of movies the Academy looks upon with favor:  serious biographies, period pieces, leading actors who contort themselves in one way or […]

  For this audience member, it was the day Toronto moved into high gear. MOONLIGHT (A24 – October 21):  Barry Jenkins’s second film, after his little-seen but much-praised Medicine For Melancholy, is a validation of film festival culture and a reminder of the power of film as personal expression.  (Although the source material is a […]

  I THINK WE’RE ALONE NOW (no distrib):  Pop culture seems to have an endless fascination with the post-apocalypse, and I Think We’re Alone Now has plenty of pedigree, hailing from Handmaid’s Tale pilot director Reed Morano, and with Peter Dinklage and Elle Fanning as seemingly the last people on Earth.  Nevertheless, it’s a misfire, […]

  JOKER (Warners – October 4):  One’s perception of Todd Phillips’ JOKER may depend in part on the context in which one sees it.  In the 11 years since Christopher Nolan’s The Dark Knight, the MCU has taken over not just Hollywood’s financial heart but the very tone and definition of the comic-book genre.  The […]

  THE FORGIVEN (Focus/Universal – TBD):  In 1963, Pauline Kael famously wrote a piece entitled “The Sick-Soul-Of-Europe Parties,” and almost 60 years later, if you add the US to the guest list, John Michael McDonagh’s The Forgiven presents a bash in the same vein.  McDonagh’s script, based on a novel by Lawrence Osborne, underlines in […]

  THE GREATEST BEER RUN EVER (Apple – September 30):  Peter Farrelly’s Green Book was one of the clearest beneficiaries of winning Toronto’s People Choice Award, vaulting from being entirely under the awards radar to a (somewhat divisive) Oscar for Best Picture a few months later.  No doubt the premiere of his follow-up The Greatest […]