If you go to too many Sundances, or see too many indie films, there are certain templates you come to recognize all too quickly.  THE LIFEGUARD, written and directed by Liz W. Garcia, a TV writer (Memphis Beat, Cold Case) making her directing debut, follows so many of these conventions that it could have […]

  It takes quite a while–almost its entire length, in fact–for the utter conventionality of AFTERNOON DELIGHT to become clear.  Jill Soloway’s feature directing debut, for which she unaccountably won a Sundance award, toys with being a much more interesting, transgressive film, before settling down to be as middle-of-the-road and inoffensive as is humanly possible.  […]

  There’s a tendency to compare any slow-moving, beautifully-photographed drama with an abundance of natural imagery to the films of Terence Malick, but that’s unfair to the very particular surreal spirituality Malick brings even to his more insufferable projects.  In the case of AIN’T THEM BODIES SAINTS, the more apt comparison is probably to Robert […]

  The Sundance programmers, one has to assume, are big fans of TV’s Happy Endings.  Casey Wilson is part of that show’s wonderful ensemble, and one of its most reliably hilarious members.  The news that she was co-writing (with co-star June Diane Raphael) her own comedy vehicle must have seemed promising.  Yet at some point […]

  When Joseph Gordon-Levitt decided to make his feature writing and directing debut with DON JON’S ADDICTION (starring in it as well), his attitude was clearly Go Big Or Go Home.  To a large extent, he’s pulled off his audacious comedy, although in keeping with its theme, this may be the kind of movie people […]

  The “spoiler” situation with respect to Richard Linklater’s BEFORE MIDNIGHT is a particularly tricky one, because for those passionately invested in the saga that began with 1995’s Before Sunrise and continued in 2004 with Before Sunset, even the most bare-bones description of what the new film is about, which must disclose, by necessity, what’s become of Celine (Julie Delpy) and […]

  There can’t be very much quibbling about the selection of Ryan Coogler’s very impressive debut film FRUITVALE as tonight’s winner of both the Sundance Dramatic Competition Jury Prize and the Audience Award.   (Personally I might have gone with Emanuel and the Truth About Fishes–which didn’t win anything tonight–but Fruitvale would have been close behind.)  Coogler, who […]

  TOY’S HOUSE is a delightful Sundance surprise, a fresh take on adolescent boys coming of age.  The conceit of Jordan Vogt-Roberts’ film, written by Chris Galletta, is that Joe Toy (Nick Robinson), his best friend Patrick (Gabriel Basso), and a very strange tagalong named Biaggio (Moises Arias) don’t just run away, they literally find an […]