YOU HURT MY FEELINGS (A24):  The title of Nicole Holofcener’s newest film is a fair guide to its stakes.  Her projects (Walking & Talking, Lovely & Amazing, Friends With Money, Enough Said) have always been modest in scale, but this one in particular feels more like a collection of anecdotes than even a short […]

  A couple of Sundances ago, the actress/writer/producer Brit Marling was a festival darling, with two acclaimed pictures unveiled the same week.  In the end, while both Another Earth and Sound of My Voice received distribution, neither found much of a mainstream audience.  (Marling’s also established an acting career that included a very good turn in last year’s Arbitrage.) […]

>Click below for all SHOWBUZZDAILY‘s collected Toronto Film Festival reviews, in alphabetical order: 360 50/50 ALBERT NOBBS THE ARTIST BUTTER DAMSELS IN DISTRESS THE DEEP BLUE SEA THE DESCENDANTS DRIVE HICK THE IDES OF MARCH THE INCIDENT INTO THE ABYSS MONEYBALL THE MOTH DIARIES PEACE, LOVE AND MISUNDERSTANDING THE RAID RAMPART RESTLESS SALMON FISHING IN […]

> Los Angelenos will have a chance to get advance looks at some of this year’s Oscar candidates at the AFI Film Festival, which begins in just about 2 weeks.  Today the Festival announced the Gala and Special Screenings, which typically make up the bulk of the high-profile titles, and they include quite a few […]

  THE GOOD HOUSE (DreamWorks – TBD):  By my count, it’s been two full decades since Sigourney Weaver was at the center of a feature film (that was Heartbreakers, where she shared the spotlight with Jennifer Love Hewitt), and that says an unfortunate amount about the American movie industry.  So even though Maya Forbes and […]

  NEBRASKA:  Buy A Ticket – A Lovely, Tart Slice of Americana An unusually strong season for American movies continues with the arrival of the simple and profound NEBRASKA, directed by Alexander Payne from a marvelous script by first-time feature writer Bob Nelson.  Among its other virtues, it manages to feature within its 114 minutes […]

  Back when Stanley Kubrick still planned to direct the film that became AI: Artificial Intelligence, he famously toyed with the idea of shooting it bit by bit over a period of years, so that the young protagonist would literally age on screen.  Now Richard Linklater, the most unKubrickian of filmmakers, has done exactly that with BOYHOOD, […]

One of the most charming things about Joss Whedon’s new film of MUCH ADO ABOUT NOTHING, unveiled today at the Toronto Film Festival, is that it’s not out to prove anything. Its actors are garbed in modern dress, and there are occasional nods to updating (very possibly as much for budget reasons as anything else, […]