Star power makes all the difference in THE SKELETON TWINS. Craig Johnson’s dramedy (written with Mark Heyman) takes place in fairly commonplace territory, especially at Sundance: siblings bound together, whether they like it or not, by embittered love and old family scars. What isn’t expected, though, is for those roles to be filled by SNL alumni Kristen […]
THE BRONZE is an entertaining but standard-issue R-rated American comedy, equal parts Bad Teacher and any Danny McBride vehicle, which makes one wonder what it’s doing in the Dramatic Competition line-up at the Sundance Film Festival. (McBride’s breakout movie The Foot Fist Way also premiered at Sundance, but in the more genre-oriented Midnight section.) Another similarity to […]
REBEL IN THE RYE (no distrib): Danny Strong’s first film as a director is a biography of J. D. Salinger (Nicholas Hoult), and it hits all the Salinger bullet points: his early struggles to get published, his spectacularly doomed romance with legendary playwright’s daughter Oona O’Neill (he lost her to Charlie Chaplin), his difficult […]
THE HATE U GIVE (20th – October 19): YA radicalization. George Tillman Jr’s film, from a sprawling script by Audrey Wells (based on the novel by Angie Thomas) centers on Starr (Amandla Stenberg), an African-American teen who witnesses her friend shot to death by a white cop. But the story also wants to encompass […]
MISS AMERICANA (Netflix – January 31): There are certainly areas of Taylor Swift’s life that are carefully elided in MISS AMERICANA (her actor boyfriend’s face and name are absent, for example, and there’s no mention of Cats), and Lana Wilson’s documentary culminates in an inspirational push that is very much on-message with Swift’s latest […]
THE SURVIVOR (no distrib): So many films and television productions have tackled the subject of the Holocaust over the decades that it takes real effort to break through with a story that feels fresh. Barry Levinson’s The Survivor is his strongest film in years, and it manages to have an impact. The script by […]
> In September, SHOWBUZZDAILY will be attending the Toronto International Film Festival (TIFF, for short). This is the first in an intermittent series of pieces about the experience of TIFF-ing. Every film festival has its own personality and place in the movie calendar. TIFF has become hugely popular and important, especially in the last decade, […]
> 50/50: Worth A Ticket – A Genuinely Feel-Good Cancer Comedy With The Big C renewed for its third season on Showtime, the concept of a comedy getting laughs from the experiences of a cancer patient is no longer especially shocking, which means that the new 50/50 has to be judged on its comedy-drama merits, […]