THE EYES OF TAMMY FAYE (Searchlight/Disney – in release):  The reason for expanding a documentary into a scripted narrative is typically to allow for an exploration of motive and emotional background not available in the existing footage.  A documentary can show what happened, but not necessarily why it happened.  That makes The Eyes of […]

> Sundance changed the way it kicks things off this year. Instead of a single high-profile Opening Night Film (which has almost always turned out to be a disappointment), the festival screened several smaller films. For those of us who arrived before the madness begins in earnest tomorrow, there was the chance to get Wait […]

  The post-apocalyptic sci-fi western, which once must have seemed revolutionary and innovative, is now (it dates back at least to 1975’s A Boy and His Dog) an established subgenre.  Jake Paltrow’s entry into the field, YOUNG ONES, was roundly panned at Sundance, possibly because of that familiarity, but it’s a reasonably ambitious and quite […]

  NIGHTCRAWLER (Open Road) – Opens October 31 – Worth A Ticket Over the past few years, Jake Gyllenhaal has seemed determined to scrub the wholesomeness out of his screen image, in movies like Zodiac, Brothers, End of Watch and Prisoners.  He achieves true creep-ness in NIGHTCRAWLER, which premiered at the Toronto Film Festival before […]

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which will hit theatres in time for a serious awards season push in late November.  Sideways and Payne’s earlier Election are two […]

  To address the very specific elephant in HYDE PARK ON HUDSON‘s room:  it’s no King’s Speech.  It’s hard to avoid the comparison, because the two movies have a clear overlap, Hyde Park being the story of the 1939 visit King George VI and Queen Elizabeth (aka Colin Firth and Helena Bonham Carter, but played here by Samuel […]

  THE PROGRAM feels entirely useless.  With an authoritative documentary about the Lance Armstrong story already in wide distribution (Alex Gibney’s excellent The Armstrong Lie), the only reason to attempt a scripted version of the story would be to offer insights not present in the documentary material, or a cohesive narrative of his life that […]

  I AM MOTHER (no distrib):  Grant Sputore’s impressively controlled first feature brings us back to the post-apocalypse.  In Michael Lloyd Green’s script, it appears as though the only surviving remnant of humanity is an unnamed girl (Clara Rugaard as a teen) raised from a fetus by a maternal robot (voiced by Rose Byrne).  Mother […]