Sundance is sometimes thrilling, but it can also be an ordeal.  Especially when the films are good, but not great.  And even more so if you arrive with limited tickets, and are left to the tender mercies of the Wait List lines (which, given Sundance’s idiosyncratic approach to Wait Lists, requires standing on each […]

  Kate Barker-Froyland’s directing debut SONG ONE is so wispy and insubstantial that the bytes making up its digital images seem barely capable of adhering to a screen.  Clearly influenced by John Carney’s mini-musical Once, it makes Carney’s film look like an Andrew Lloyd-Webber spectacle by comparison. Barker-Froyland also wrote the minimal script, which almost exhausts its resources […]

  COME SUNDAY (Netflix):  American films that feature religious figures tend to come in two varieties:  the cloying “faith-based” dramas that play quite literally to the choir, and the “edgy” films in which the supposedly pious are revealed to be hypocritical and often evil frauds.  Joshua Marston’s Come Sunday is a rarity, a film that […]

  PASSING:  The actress Rebecca Hall has taken a big swing in her writing/directing debut.  Her film Passing, based on the 1929 novel by Nella Larsen, embraces ambitious, difficult themes with sensitivity and expertise.  The story concerns Irene (Tessa Thompson) and Clare (Ruth Negga), one-time teen friends who run into each other after several years […]

  THE AMERICAN SOCIETY OF MAGICAL NEGROES (Focus/Universal – March 15):  The title of Kobi Libii’s first feature refers to the unfortunately well-established movie trope where a noble Black character exists only as a catalyst to make the white protagonist a better person.  (Think of everything from Driving Miss Daisy to The Green Mile, The Legend of Bagger Vance to Green […]

>Two Australian couples vacation together on the beaches of Cambodia, but only 3 people return. That’s the set-up for Kieran Darcy-Smith’s skilled debut WISH YOU WERE HERE, which premiered as part of Sundance’s World Cinema competition.The focal point of the story is the more settled, middle-class couple on the trip: Dave (Joel Edgerton) and Alice […]

  There can’t be very much quibbling about the selection of Ryan Coogler’s very impressive debut film FRUITVALE as tonight’s winner of both the Sundance Dramatic Competition Jury Prize and the Audience Award.   (Personally I might have gone with Emanuel and the Truth About Fishes–which didn’t win anything tonight–but Fruitvale would have been close behind.)  Coogler, who […]

  For SHOWBUZZDAILY’s full set of Sundance capsule reviews, click here.   What kind of filmmaker does Mona Fastvold want to be?  It’s an existential question that comes up often at Sundance, where artistic and industry cred are often judged at the same time.  THE SLEEPWALKER, Fastvold’s first film as director and (with Brady Corbet, […]