HUMAN FACTORS: Is Ronny Trocker’s Human Factors intended as a political allegory? The married couple at its center are the German Jan (Mark Waschke) and the French Nina (Sabine Timoteo), and there’s a plot point about whether the ad agency they run will take on a political party as a client. If that’s the […]
THE PERSIAN VERSION (Sony Classics): Maryam Keshavarz’s dramedy won the Sundance Audience Award in the US Dramatic Competition, and it’s a smart mixture of broad comedy and family drama. The comedy is mostly set in the present day, where aspiring filmmaker Leila (Layla Mohammadi), tries to keep her distance from her mother Shireen (Niousha […]
> SHOWBUZZDAILY is only 2 weeks away from traveling to Park City, Utah for the 2012 Sundance Filim Festival, so the time seems right for a rant about the nightmare that is obtaining tickets for Sundance screenings. Every festival has its quirks, and all cater especially to wealthy contributors who can afford to pay thousands […]
The post-apocalyptic sci-fi western, which once must have seemed revolutionary and innovative, is now (it dates back at least to 1975’s A Boy and His Dog) an established subgenre. Jake Paltrow’s entry into the field, YOUNG ONES, was roundly panned at Sundance, possibly because of that familiarity, but it’s a reasonably ambitious and quite […]
TO THE STARS (no distrib): Tales of small-town outcasts are a regular feature at Sundance, and Martha Stephens’ drama is an accomplished example of the genre. Shannon Bradley-Colleary’s script is set in 1960s Oklahoma (the film is splendidly shot by Andrew Reed in a black and white that recalls The Last Picture Show), centering on […]
This may be heresy, but the virtual Sundance Film Festival went so smoothly that if they offered it as an option in a hopefully pandemic-free 2022, I’d seriously consider passing up the freezing weather and the waits for delayed, packed shuttle buses to stay at home. Sure, I’d miss the communal experience, but on the […]
DIDI (no distrib): Sean Wang’s endearing memory piece won the US Dramatic Competition Audience Award. It’s set in 2008 Northern California during the summer before Chris (Izaac Wang) begins high school and his sister Vivian (Shirley Chen) leaves for college in San Diego. The kids have essentially been raised by Chungsing (Joan Chen) as […]
> I write this as a fairly obsessive fan of Stanley Kubrick, back since I desperately wanted to see A Clockwork Orange in its original X-rated release but was too young to get in. So the very idea of ROOM 237, a feature-length film by Rodney Ascher constructed of the theories and interpretations that have […]