THE BRUTALIST (A24 – TBD):  The most remarkable thing about Brady Corbet’s epic may be that it’s so enjoyable to watch.  The notion of a 197-minute saga (not including intermission) about Holocaust survivors and the crushing effects of capitalism practically screams “ordeal,” especially with the knowledge that Corbet’s last film was the cringingly pretentious Vox […]

  GLASS ONION (Netflix – November 4 in theaters, December 23 online):  After Rian Johnson’s Knives Out broke through to become one of the increasingly few non-IP-based mainstream hits in the market ($311.6M worldwide), Netflix moved aggressively to buy out the franchise, reportedly paying $450M for the next 2 crime-solving adventures of detective Benoit Blanc […]

  THE HUMANS (A24/Showtime – Nov. 24):  There are typically two strategies for adapting a celebrated play about a small number of people in a limited space to the screen.  One is to “open it up,” adding scenes, characters, or at least locations outside the original set.  The other is to lean into the claustrophobia, […]

  THE GOOD HOUSE (DreamWorks – TBD):  By my count, it’s been two full decades since Sigourney Weaver was at the center of a feature film (that was Heartbreakers, where she shared the spotlight with Jennifer Love Hewitt), and that says an unfortunate amount about the American movie industry.  So even though Maya Forbes and […]

> The first substantial buy of the Toronto Film Festival (Shame had sold first, but for art film prices) turned out to be Salmon Fishing In the Yemen, a modestly engaging romantic comedy from Lasse Hallstrom.  Hallstrom has made a career out of “modestly engaging,” following his early distinction with My Life As a Dog […]

  Few movies are as wholeheartedly dedicated to meta-ness as Martin McDonagh’s SEVEN PSYCHOPATHS.  The title of the movie is also the title of the script its main character Marty (Colin Farrell)–which, I believe, is short for “Martin”–is trying to write.  It’s also a tally that the movie keeps track of as the story moves […]

> TEN YEAR, which premiered tonight at the Toronto Film Festival, is one of the few festival movies that has the feel of a potential hit.  This is because, apart from its hugely engaging cast and, to be sure, some effective writing and directing, it’s really not a “film festival” movie at all, but a […]

  KNIVES OUT (Lionsgate – November 27):  Rian Johnson’s delectable reinvention of the old-fashioned puzzle whodunnit wears its convoluted plotting on its sleeve, weaving and circling about so that when you think you know what’s going on, he can bang his trap shut.  Johnson isn’t shy about his influences here.  The murder victim, Harlan Thrombrey […]