ANNA KARENINA – Watch It At Home – Beautiful But Overconceptualized Version of the Tolstoy Classic Joe Wright was introduced to the world with his film of Pride and Prejudice, and it seems like he’s been trying to escape the pigeonhole of staid Literary Classics director ever since. His Atonement, while based on another celebrated novel, […]

> TEN YEAR, which premiered tonight at the Toronto Film Festival, is one of the few festival movies that has the feel of a potential hit.  This is because, apart from its hugely engaging cast and, to be sure, some effective writing and directing, it’s really not a “film festival” movie at all, but a […]

  THE HATE U GIVE (20th – October 19):  YA radicalization.  George Tillman Jr’s film, from a sprawling script by Audrey Wells (based on the novel by Angie Thomas) centers on Starr (Amandla Stenberg), an African-American teen who witnesses her friend shot to death by a white cop.  But the story also wants to encompass […]

  RUSTIN (Netflix – Nov. 17):  The director and producer George C. Wolfe is a towering figure in American theater, but his films to date have been wobbly at worst (A Night in Rodanthe, You’re Not You) and sturdy at best (Ma Rainey’s Black Bottom, The Immortal Life of Henrietta Lacks).  Rustin marks his most accomplished […]

  DALLAS BUYERS CLUB is more Erin Brockovich than Brian’s Song, and that’s why it works so well.  Jean-Marc Vallee’s film, written by Craig Borten and Melisa Walack, is too angry to be sentimental.  Set during the 1980s, it tells the story of Ron Woodroof (Matthew McConaughey, in a career-highlight performance), a hard-living, homophobic Texas electrician and rodeo rider […]

  CASUAL:  October 7 on Hulu Hulu has included some original programming in its inventory for a while now, but it’s signaled its intention to join Netflix and Amazon in that realm in a more serious way with its order of new Mindy Project episodes, and production of a Stephen King minseries, The Way from […]

> TIFF’s Midnight Madness program is exactly what you think it is:  10 flat-out, unapologetic genre movies that premiere each night at midnight in front of a raucous crowd at the 1200-seat Ryerson Theatre.  In any given year, the Madness may include unexpected gems like last year’s Insidious and 2006’s Borat, interestingly weird pictures such […]

  HERETIC (A24 – Nov. 15):  A nifty piece of philosophical horror from Scott Beck and Bryan Woods, the writers of the original A Quiet Place.  The set-up is almost fairy tale in its simplicity.  A pair of young women who are Mormon missionaries, Sisters Barnes (Sophie Thatcher) and Baxter (Chloe East), are at the […]