HER SMELL (no distrib – TBD):  Writer-director Alex Ross Perry (The Color Wheel, Listen Up Philip) is a fan of invective, and the punk rocker Becky Something (Elizabeth Moss), when she’s in the full flower of her moderate success, lets it fly in a way that even Natalie Portman in Vox Lux would find […]

  THE GOOD NURSE (Netflix – Oct. 26):  An unusually serious thriller about a serial killer.  Tobias Lindholm’s film, from a script by Krysty Wilson-Cairns (who wrote 1917 and  Last Night In Soho) and based on a book by Charles Graeber that recounted a true story, has a deliberately ambiguous title.  It seems at first […]

  BABYGIRL (A24 – Dec. 25):  We’ve reached the point where Nicole Kidman’s work ethic has become something of a running gag.  In the past 5 years alone, she’s appeared in an incredible eight feature films and seven TV series, with three more series on tap for 2025 (so far).  Truth be told, it can feel […]

> The first substantial buy of the Toronto Film Festival (Shame had sold first, but for art film prices) turned out to be Salmon Fishing In the Yemen, a modestly engaging romantic comedy from Lasse Hallstrom.  Hallstrom has made a career out of “modestly engaging,” following his early distinction with My Life As a Dog […]

Stuart Blumberg’s first film as a director (his screenwriting credits include The Kids Are All Right), THANKS FOR SHARING, never quite manages to solve its own central problem:  how to make a sensitive and funny (and not harrowing) movie on the subject of sex addiction. We’ve had the harrowing version, of course, with Steve McQueen’s […]

  NIGHTCRAWLER (Open Road) – Opens October 31 – Worth A Ticket Over the past few years, Jake Gyllenhaal has seemed determined to scrub the wholesomeness out of his screen image, in movies like Zodiac, Brothers, End of Watch and Prisoners.  He achieves true creep-ness in NIGHTCRAWLER, which premiered at the Toronto Film Festival before […]

  Note:  this will be our final installment of Toronto reviews, although the festival runs on until Sunday. It’s been a good if not classic festival, with a trio of legitimately great presentations in La La Land, Jackie and Moonlight, as well as the enormously fun if not particularly artistic Sing, and other strong titles […]

  HIS THREE DAUGHTERS (no distrib):  The premise of Azazel Jacobs’ film is simple enough to be staged as a play:  as their father Vincent (Jay O. Sanders) lies dying in an unseen room of his Bronx apartment, Katie (Carrie Coon), Christina (Elizabeth Olsen) and Rachel (Natasha Lyonne) get in each others’ ways as they wait […]