DREDD, which kicked off the merrily disreputable Midnight Madness program at the Toronto Film Festival last night, isn’t much, but no one can say the director Pete Travis wasted his 3D budget. Things are constantly hovering, fluttering or–often–splattering in the foreground of the frame, and the images do a better job of suggesting visual depth […]
THE MAGNIFICENT 7 (Village Roadshow/MGM/Columbia/Sony – Sept 23): Cinema survived in 1960 when Akira Kurosawa’s masterpiece The Seven Samurai was transformed into an American western, and it will survive this new adequate but uninspired remake of the remake. Despite a script co-credited to True Detective‘s Nik Pizzolatto (with Richard Wenk), and a promising match-up […]
>SHOWBUZZDAILY will be at the Toronto International Film Festival in September, and today TIFF announced the first group of movies being screened (there are plenty more to come over the next few weeks). Here’s the full list, and some titles worthy of initial enthusiasm: GALAS ALBERT NOBBS: Oscar Bait Alert, with Glenn Close as a […]
TOP FIVE: No Current US Distributor or Release Date (but that will change very soon) – Worth A Ticket Chris Rock is generally considered among the greatest stand-ups of his generation, and it’s been clear for some time that he wants to move up to the next cultural echelon, the level of regard where […]
THE HUMBLING (Millenium) – no release date set – Watch It At Home THE HUMBLING wasn’t one of Philip Roth’s major novels, and Barry Levinson’s film, despite striking performances from Al Pacino and Greta Gerwig and some memorable moments of dark comedy, isn’t a major film either. The script by Buck Henry and Michal […]
HEROES REBORN: Thursday 8PM on NBC, starting September 24 This year, for the first time, the Toronto Film Festival has included a slate of television productions from around the world in its line-up, formalizing the degree to which the status of TV has changed in the last few years. That’s completely logical. What […]
JOJO RABBIT (Fox Searchlight – October 4): The discourse about Taika Waititi’s Jojo Rabbit has quickly become a debate between those who think its Nazi-era black comedy is authentically daring, and those who feel its purported audacity is a pretense covering a merely middlebrow sensibility. (Note: every person in the history of language who […]
> Mary Harron’s career has previously included such fascinatingly transgressive films as I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, which is the only sensible explanation for the inclusion of her new, dreadful sub-CW gothic thriller THE MOTH DIARIES in this year’s Toronto Film Festival. Diaries, which Harron adapted from a (reportedly […]