THE PERSIAN VERSION (Sony Classics):  Maryam Keshavarz’s dramedy won the Sundance Audience Award in the US Dramatic Competition, and it’s a smart mixture of broad comedy and family drama.  The comedy is mostly set in the present day, where aspiring filmmaker Leila (Layla Mohammadi), tries to keep her distance from her mother Shireen (Niousha […]

  THE DISAPPEARANCE OF ELEANOR RIGBY: HIM & HER is an extraordinary feature debut for its writer/director Ned Benson.  Indeed, it’s so remarkable that it comes close to not needing the modifier “debut” to express how good it is–if Benson hadn’t bitten off a bit more than he could chew, this would have been one (or […]

  I THINK WE’RE ALONE NOW (no distrib):  Pop culture seems to have an endless fascination with the post-apocalypse, and I Think We’re Alone Now has plenty of pedigree, hailing from Handmaid’s Tale pilot director Reed Morano, and with Peter Dinklage and Elle Fanning as seemingly the last people on Earth.  Nevertheless, it’s a misfire, […]

  THE WOMAN KING (Tri-Star/Sony – Sept. 16):  Gina Prince-Bythewood’s The Woman King feels something like what would happen if the Themyscira Island Amazonian sequences of Wonder Woman were feature length.  Dana Stevens’ script (from a story by the actress/producer Maria Bello) is set in the 19th-century African kingdom of Dahomey, which is ruled by […]

  MOLLY’S GAME (STX):  Aaron Sorkin is a celebrated (or notorious, depending on your point of view) control freak, so it’s surprising that it’s taken him this long to decide to direct his own work.  His first venture as writer/director MOLLY’S GAME is completely assured, not fancy with its visuals but not timid, either.  By […]

  The allegory is piled on so thickly in Yorgos Lanthimos’ THE LOBSTER that after a while, it’s not clear just what the underlying subject is supposed to be.  Lanthimos is a cult-favorite filmmaker (the cult mostly consists of critics and film festival selection committee members) whose arresting Dogtooth was an unlikely Best Foreign Film […]

  The Toronto International Film Festival is, of the major North American festivals, by far the most pleasant to attend.  Its line-up of films and clout are matched only by Sundance’s, and it substitutes balmy 70 degree weather and large, well-appointed theaters for that festival’s snowy winds and converted high school auditoriums and hotel ballrooms.  […]

  DIDI (no distrib):  Sean Wang’s endearing memory piece won the US Dramatic Competition Audience Award.  It’s set in 2008 Northern California during the summer before Chris (Izaac Wang) begins high school and his sister Vivian (Shirley Chen) leaves for college in San Diego.  The kids have essentially been raised by Chungsing (Joan Chen) as […]