THE BRUTALIST (A24 – TBD): The most remarkable thing about Brady Corbet’s epic may be that it’s so enjoyable to watch. The notion of a 197-minute saga (not including intermission) about Holocaust survivors and the crushing effects of capitalism practically screams “ordeal,” especially with the knowledge that Corbet’s last film was the cringingly pretentious Vox […]
Plot and character revelations are a critical part of James Marsh’s subtle, complex spy drama SHADOW DANCER, adapted by Tom Bradby from his own novel, so I’ll be circumspect in describing its plot beyond the initial set-up. (Then again, I saw it at an 8:30AM screening at Sundance, so I’m not altogether sure I […]
V/H/S, which screened as part of Sundance’s Park City At Midnight series, is a gimmick piled upon a gimmick. First is the horror anthology itself, familiar from the Twilight Zone movie and Rod Serling’s Night Gallery TV show, among many others. In this case, half a dozen unrelated short films, each from a different […]
When Joseph Gordon-Levitt decided to make his feature writing and directing debut with DON JON’S ADDICTION (starring in it as well), his attitude was clearly Go Big Or Go Home. To a large extent, he’s pulled off his audacious comedy, although in keeping with its theme, this may be the kind of movie people […]
> The festival has its first crowd-pleaser in CELESTE AND JESSE FOREVER, a light but heartfelt romantic comedy-drama in the Woody Allen vein. Written by Rashida Jones (who also stars as Celeste) and Will Mc McCormack (on hand as well as a supportive weed dealer), it takes a different slant on the usual rom-com by […]
KISS OF THE SPIDER WOMAN (no distrib): The exercise in narrative that began with Manuel Puig’s 1976 Argentinian novel has found an enduring place in popular culture, first through a 1983 theatrical version adapted by Puig himself, then Hector Babenco’s 1985 film (which was nominated for Best Picture and Best Director and won […]
LA LA LAND (Summit/Lionsgate – December 2): No film arrived at Toronto this year with more hype to live up to than Damien Chazelle’s La La Land, the follow-up to the filmmakers’s Oscar-winning Whiplash and the recipient of white-hot raves in Venice (where Emma Stone won the Best Actress award) and Telluride. Chazelle’s rapturous […]
In 2007, Julie Delpy wrote, directed and co-starred in 2 Days In Paris, a romantic comedy-drama featuring Adam Goldberg and herself as a couple who lived in NY and visited the title city for a tumultuous visit with her character Marie’s family. Paris was only a moderate art-house success in the US ($4.4M), but […]