BAD WORDS: Watch It At Home – Hilarious, For a While BAD WORDS eventually has to spell out its plot, and that’s when, like many an initially enthusiastic competitor, it fades, becoming increasingly soft and even sentimental. For a while though, Jason Bateman’s directing debut, from a script by Andrew Dodge, is resolutely, and […]
THE BRONZE is an entertaining but standard-issue R-rated American comedy, equal parts Bad Teacher and any Danny McBride vehicle, which makes one wonder what it’s doing in the Dramatic Competition line-up at the Sundance Film Festival. (McBride’s breakout movie The Foot Fist Way also premiered at Sundance, but in the more genre-oriented Midnight section.) Another similarity to […]
REBEL IN THE RYE (no distrib): Danny Strong’s first film as a director is a biography of J. D. Salinger (Nicholas Hoult), and it hits all the Salinger bullet points: his early struggles to get published, his spectacularly doomed romance with legendary playwright’s daughter Oona O’Neill (he lost her to Charlie Chaplin), his difficult […]
A STAR IS BORN (Warners – October 5): Bradley Cooper, making his directing debut, decided to do the equivalent of a first-time weightlifter starting out with a 400-pound barbell. It isn’t just that A Star Is Born is one of the most iconic Hollywood classics (this is the fifth version, counting What Price Hollywood?, […]
THE NEST (no distrib): Sean Durkin’s first feature since 2011’s Martha Marcy May Marlene presents its emotions with such high-intensity beams that it often feels as though the film is going to slip into the thriller or even horror genre, but it’s actually just a family drama. Set in the Thatcher-era 1980s, its plot […]
LIVING (no distrib): Over the years, there’s periodically been talk about remaking Akira Kurosawa’s 1952 masterpiece Ikiru, including a rumored updated US version that would have starred Tom Hanks in the lead. We finally have an English-language Ikiru in the more modest form of Oliver Hermanus’s Living, from a screenplay by the famed novelist […]
These haven’t been glory days for the Toronto Film Festival. The WGA/SAG strikes dampened the vibe, of course–of the 27 films I saw at TIFF, only 4 screenings featured appearances from the cast. Beyond that, for whatever reasons, TIFF also wasn’t favored by the studios with some of the major releases that instead opted […]
QUEER (A24 – TBD): Luca Guadagnino has unearthed glamour in the blood-soaked dance troupe/witches’ coven of Suspiria and the cannibal romance of Bones and All, so it shouldn’t be a surprise that his seedy 1950s Mexico City and South America of Queer glistens with swank. Queer is based (by Justin Kuritzkes, who wrote Guadagnino’s Challengers) […]