THIS IS WHERE I LEAVE YOU (Warners) – Opens September 19 – Worth A Ticket Jonathan Tropper’s very successful day job is writing seriocomic novels about families and romance that are distinguished by their male protagonists–the ground he trods is similar to Nick Hornby’s, but without quite matching Hornby’s freshness of approach or wit.  […]

  THE THEORY OF EVERYTHING (Focus/Universal) – Opens November 7  – Worth A Ticket There’s a benefit but also a burden to being clear-cut “Oscar bait.”  At this point we all know the kinds of movies the Academy looks upon with favor:  serious biographies, period pieces, leading actors who contort themselves in one way or […]

  TOP FIVE:  No Current US Distributor or Release Date (but that will change very soon) – Worth A Ticket Chris Rock is generally considered among the greatest stand-ups of his generation, and it’s been clear for some time that he wants to move up to the next cultural echelon, the level of regard where […]

  BLACK AND WHITE – no current US distributor or release date – Not Even For Free BLACK AND WHITE was reportedly drawn from events in its writer/director Mike Bender’s own life, which makes it remarkable, on some bizarro level, that every single element of Binder’s script feels false and contrived.  Binder has been a […]

  NIGHTCRAWLER (Open Road) – Opens October 31 – Worth A Ticket Over the past few years, Jake Gyllenhaal has seemed determined to scrub the wholesomeness out of his screen image, in movies like Zodiac, Brothers, End of Watch and Prisoners.  He achieves true creep-ness in NIGHTCRAWLER, which premiered at the Toronto Film Festival before […]

  EDEN (IFC):  release date unscheduled – Watch It At Home Notwithstanding its subtitles, the genre of Mia Hanson-Love’s EDEN, which had its world premiere at the Toronto Film Festival, isn’t unfamiliar to American eyes:  the rise and fall of a musical genre, as reflected through a group of friends who are involved with it.  […]

  ST. VINCENT (Weinstein) – Opens October 24 – Worth A Ticket Bill Murray has perfected the persona of the grouchy, reluctant hero.  The image has even attached itself to him professionally:  although he’s not close to being even semi-retired (ST. VINCENT, which premiered at the Toronto Film Festival and opens next month, will be […]

  CLOUDS OF SILS MARIA (IFC):  no release date scheduled – Watch It At Home Olivier Assayas is a dazzlingly ambitious filmmaker, determined to do something totally different with each project he undertakes.  The results range from the spectacular (Carlos) to the tone-deaf (Demonlover), with his new CLOUDS OF SILS MARIA, which premiered at Cannes […]