Events on the same-sex rights front have moved so quickly that FREEHELD, which is based on a true story from 2007, and has been in development almost since it occurred, now feels like something of a history story.  Not completely, of course–as the current situation of the Kentucky clerk who won’t issue marriage licenses […]

  THE PROGRAM feels entirely useless.  With an authoritative documentary about the Lance Armstrong story already in wide distribution (Alex Gibney’s excellent The Armstrong Lie), the only reason to attempt a scripted version of the story would be to offer insights not present in the documentary material, or a cohesive narrative of his life that […]

  Transgender issues have been such hot-button topics in the news lately that people may not be prepared for how muted and delicate Tom Hooper’s THE DANISH GIRL is.  The film, which debuted at the Venice Film Festival and then screened at Toronto, before beginning a quest for awards later in the year, barely deals […]

  It’s an unfortunate irony that TRUMBO, the story of one of Hollywood’s great blacklisted screenwriters, is undermined by an inadequate script.  It’s written by John McNamara, also the man behind NBC’s low-rated Aquarius, and viewers may find it difficult to figure out just what he and director Jay Roach had in mind, as they […]

  The screenwriter James Vanderbilt has made his directing debut with TRUTH, which premiered at the Toronto Film Festival tonight, and at times it’s clear that this is a writer’s movie:  Vanderbilt gives no fewer than three of his characters the opportunity for a Rousing Final Speech, something another director might well have toned down.  […]

  Ridley Scott’s THE MARTIAN is the jaunty sci-fi offspring of Apollo 13 and McGyver, Scott’s least self-important movie in years and not coincidentally his most enjoyable.  Drew Goddard’s expertly crafted script (based on the best-selling novel by Andy Weir) has a premise both simple and massively complex:  during a giant sandstorm on the surface […]

  The allegory is piled on so thickly in Yorgos Lanthimos’ THE LOBSTER that after a while, it’s not clear just what the underlying subject is supposed to be.  Lanthimos is a cult-favorite filmmaker (the cult mostly consists of critics and film festival selection committee members) whose arresting Dogtooth was an unlikely Best Foreign Film […]

  The director Denis Villenueve has been staking out some interesting Hollywood territory for himself.  His new SICARIO, which debuted at Cannes and screened at the Toronto Film Festival prior to arriving in theatres next week, is, like his previous Prisoners, a serious adult thriller that demands audience attention and doesn’t compromise its dramatic principles, […]