THE WONDER (Netflix – November 16):  In the time of Ireland’s Great Famine, 11-year-old Anna (Kila Lord Cassidy) claims to have survived for 4 months without eating even one bite of food.  Is she a miracle, possibly a saint in the making, or a sham?  The elders of her small town have the girl […]

  CARRIE:  Watch It At Home – Respectable But Uninspired Rebo The talented director Kimberley Peirce plays a losing game with her remake of Brian DePalma’s iconic 1976 CARRIE.  (In fairness to Peirce, it’s not clear how many of the creative shots she was calling; she signed on as a director-for-hire after struggling for years […]

  Michael Lewis’ book Moneyball was a marvelous read, but seemed like dim source material for a movie. Credit, then, is due to the creators of the film version–the various producers, screenwriters Steven Zailian and Aaron Sorkin, and director Bennett Miller–for finding a compelling narrative spine in a true-life story about the change in an […]

  QUARTET:  Watch It At Home – AARP’s Version of a Rock Concert Reunion Movie It may come as a surprise to some of the directors who’ve tangled with Dustin Hoffman to hear that QUARTET is supposed to mark his first time in charge, but officially, at least, Hoffman has never taken the reins on […]

> The problem with 2011 on screen was more the pervasive mediocrity than an overload of terrible movies, but that doesn’t mean there weren’t some awful films to be found–and, if possible, avoided.  Here are 10 or so: 10.  ONE DAY:  Admittedly, a cheat:  One Day wasn’t a complete disaster–it was far less painful to […]

> Today, 3 films from first-time directors: Caroline Bottaro’s marvelous QUEEN TO PLAY is, in a sense, a sports movie.  We have the out-of-nowhere player whose newly-discovered talent shakes up her whole life, the wise and somewhat eccentric mentor, even the climactic competition.  The game here, though, is chess, and the film (in French, with […]

  As has been generally reported, this year’s Toronto Film Festival wasn’t a dominant one, lacking the kind of overwhelming favorites that The King’s Speech and Argo have been in recent years.  Some potentially major upcoming films chose to screen at other festivals (Birdman at Venice, Gone Girl and Inherent Vice in New York), while […]

  ENDLESS LOVE:  Not Even For Free – Hopeless Wreck Truly:  why does this new ENDLESS LOVE exist?  Even on the crassest commercial level, it makes very little sense.  The 1981 Franco Zeffirelli/Brooke Shields/Martin Hewitt version is remembered as neither good nor particularly successful (it made only half as much as Shields’ Blue Lagoon had […]