ONE SECOND (Neon – TBD):  Zhang Yimou’s film was notoriously the subject of controversy with the Chinese government, which held it back from its originally scheduled film festival debut in 2019, and forced some reediting and even reshooting, so one assumes that in its initial version, the story, set during the Cultural Revolution, was […]

  But for one unfortunately critical element, Logan and Noah Miller’s SWEETWATER (the brothers rewrote a script originally by Andrew McKenzie) is a highly enjoyable darkly comic western, as subsumed in stylized movie traditions (and their subversion) as a Tarantino movie, but without Tarantino’s post-modern stew of references. Sweetwater is your basic frontier town, half-way to Santa […]

  GOD’S COUNTRY (no distrib):  A deliberative character study that’s also a thriller of sorts, anchored by one of the best performances of Thandiwe Newton’s career.  When two hunters (Joris Jarsky and Yellowstone‘s Jefferson White) park their pick-up on college professor Sandra Guidry’s (Newton) land for their convenience, they’re messing with the wrong person.  Sandra’s […]

> PROJECT X:  Not Even For Free – Don’t RSVP How is it that no one has yet produced a 3D found-footage movie?  You’d think the combination of the most (usually) mind-numbing gimmicks of the past decade would be a commercially sure bet, but so far it’s an untapped market. Meanwhile we have PROJECT X, […]

  THE SECRET LIFE OF WALTER MITTY:  Buy A Ticket – Ben Stiller’s Imaginative, Flawed Reboot Of The Classic Tale The movies Ben Stiller directs for himself (Reality Bites, Zoolander, Tropic Thunder) are nearly always more interesting than the product he churns out as an actor (the Night At the Museum franchise, the Meet the […]

  VERY GOOD GIRLS is set in contemporary Brooklyn, but it’s shot (by Bobby Bukowski) with the kind of gauzy glow that suggests a European perfume commercial.  It’s lovely to look at, but also mystifying and ultimately annoying, and that describes the movie too. Naomi Foner, who wrote and directed the film, makes her directing debut […]

  HANSEL & GRETEL: WITCH HUNTERS:  Not At Any Price – Audiences Won’t Live Happily Ever After HANSEL & GRETEL: WITCH HUNTERS is mostly terrible, but say this for it:  it’s not terrible like anything else out there.  If you’ve always wanted to see an R-rated, gore-ridden, smart-alecky anachronistic fantasy in which fairy tale characters […]

  LOVE LIES BLEEDING (A24 – March 8):  Rose Glass has followed her brilliant horror movie Saint Maud by exchanging austerity for pulp.  Love Lies Bleeding (co-written with Weronika Tofilska) is engulfed by the spirit of overripeness, to the point where it embraces the garish and even tbe flat-out ludicrous.  The film doesn’t entirely work, […]