THE AVENGERS: Worth A Ticket – A Fun Summer Movie, No More Or Less It’s easy to forget that THE AVENGERS is, you know, a movie. It’s perhaps the ultimate example of corporate intellectual property, bioengineered years in advance of its production by Marvel and that company’s recent owner Disney, like the spawn […]
BRAVE: Watch It At Home – Pixar Out Of Its Element A spunky young animated princess is suffocated by her domineering mom, and her efforts to break free lead to all sorts of unintended chaos… Wasn’t Tangled a lot of fun? Pixar’s new BRAVE has gotten lots of attention for being the studio’s first […]
Stuart Blumberg’s first film as a director (his screenwriting credits include The Kids Are All Right), THANKS FOR SHARING, never quite manages to solve its own central problem: how to make a sensitive and funny (and not harrowing) movie on the subject of sex addiction. We’ve had the harrowing version, of course, with Steve McQueen’s […]
Oscar buzz has been trailing THE SESSIONS (which was then called The Surrogate) since it was unveiled at Sundance in January, and with good reason. For Academy members, it doesn’t get much better than a warm “based on a true story” about someone with a serious disability who nevertheless maintains his sense of humor and […]
The year-end movies are almost all out now (2012’s final limited release, PROMISED LAND, opens on Friday), so here’s a handy capsule guide to what’s worth seeing at the multiplex-and what isn’t. Just click on the titles for our full reviews. RESERVE YOUR SEATS NOW ZERO DARK THIRTY: Kathryn Bigelow’s (and screenwriter Mark Boal’s) […]
The old truism that Park City empties out during the second half of the Sundance Film Festival, making it possible to see all the hot titles that premiered at the festival’s start, is far less true than it used to be. It was impossible to get into the festival’s big buy, The Way, Way […]
In recent years, the… let’s call it mature audience has been a profitable one, making moderate hits of films like The Best Exotic Marigold Hotel and Quartet. This holiday season, the title of choice for this niche is likely to be PHILOMENA, a literate tearjerker that Harvey Weinstein unveiled at the Venice and Toronto film festivals. Based on a true […]
The writer-director Mike Cahill has staked out a unique piece of narrative territory for himself. In both Another Earth and his new I ORIGINS, which debuted at Sundance last week (and won the festival prize for best science-based work), he explores the point where factual science meets not just science fiction, but something more metaphysical, an area […]