SAVING MR. BANKS:  Buy A Ticket – Positively Supercalifragelisticexpialidocious SAVING MR. BANKS , which screened at the AFI Film Festival in Los Angeles last night before opening in theaters next month, is a moviegoer’s dream of Hollywood popular art, superbly melding history, personality, humor, sentiment and glitz with little fault or sign of strain.  […]

  In 2007, Julie Delpy wrote, directed and co-starred in 2 Days In Paris, a romantic comedy-drama featuring Adam Goldberg and herself as a couple who lived in NY and visited the title city for a tumultuous visit with her character Marie’s family.  Paris was only a moderate art-house success in the US ($4.4M), but […]

>   THE DESCENDANTS:  Worth A Ticket – Flawed But Heartfelt It’s taken an unaccountable 7 years for Alexander Payne to follow up Sideways, the biggest hit of his career,  with THE DESCENDANTS, which will hit theatres in time for a serious awards season push in late November.  Sideways and Payne’s earlier Election are two […]

  It would be easy enough to fill a Worst 10 list with low-budget “found footage” horror movies, and sadly not that much more difficult to fill one with earnest, badly-executed indies, but where’s the fun in that?  No, if we’re going to throw stones, let’s throw them through some expensive windows. WORST BIG BUDGET […]

  INTERSTELLAR:  Worth A Ticket – Christopher Nolan’s Imperfect Odyssey Remember A.I.: Artificial Intelligence?  It was the deeply odd sci-fi/fairy tale quasi-collaboration between Stanley Kubrick and Steven Spielberg, originated by Kubrick but rewritten and filmed by Spielberg (at Kubrick’s request) after Kubrick’s death.  Spielberg clearly meant it as a tribute to a great filmmaker and friend, but […]

  Back when Stanley Kubrick still planned to direct the film that became AI: Artificial Intelligence, he famously toyed with the idea of shooting it bit by bit over a period of years, so that the young protagonist would literally age on screen.  Now Richard Linklater, the most unKubrickian of filmmakers, has done exactly that with BOYHOOD, […]

  DARKEST HOUR (Focus/Universal – Nov. 22):  A shameless piece of rabble-rousing Hollywood biography, directed by Joe Wright and written by Anthony McCarten, and served hot on a platter to Oscar voters.  The subject is Winston Churchill (Gary Oldman), and the terrain is the first few weeks of his tenure as Prime Minister, doubted by […]

MADAGASCAR 3:  EUROPE’S MOST WANTED – Worth A Ticket – A Circus Indeed   There’s a certain luxury in being DreamWorks Animation.   Pixar gets the awards and the acclaim, but it’s also held to an impossibly high standard:  if Cars 2 had been a DreamWorks movie, it would have been considered a perfectly reasonable entertainment, […]