THE INSPECTION (A24 – November 14): Back in 1983, Robert Altman directed the film version of David Rabe’s play Streamers, about a Vietnam-era boot camp that turned even more violent and vicious with the catalyst of one recruit’s closeted homosexuality. Elegance Bratton’s The Inspection tells a similar story for the “Don’t Ask Don’t Tell” […]
THE PROGRAM feels entirely useless. With an authoritative documentary about the Lance Armstrong story already in wide distribution (Alex Gibney’s excellent The Armstrong Lie), the only reason to attempt a scripted version of the story would be to offer insights not present in the documentary material, or a cohesive narrative of his life that […]
HEROES REBORN: Thursday 8PM on NBC, starting September 24 This year, for the first time, the Toronto Film Festival has included a slate of television productions from around the world in its line-up, formalizing the degree to which the status of TV has changed in the last few years. That’s completely logical. What […]
> Not At Any Price: Phony As A 3-Dollar Bill THE ART OF GETTING BY (then called “Homework”) stood out at Sundance like an unsore thumb. In the midst of high-quality, serious films that were at least trying to be about something (several of which will be opening later this summer), Art Of Getting […]
> Today, 3 films from first-time directors: Caroline Bottaro’s marvelous QUEEN TO PLAY is, in a sense, a sports movie. We have the out-of-nowhere player whose newly-discovered talent shakes up her whole life, the wise and somewhat eccentric mentor, even the climactic competition. The game here, though, is chess, and the film (in French, with […]
> Sundance has a thriving Park City At Midnight program that features plenty of high-octane horror movies, but the most unnerving and disturbing film of this year’s festival may have been Craig Zobel’s COMPLIANCE, a low-key drama based (apparently rather closely) on a true story without any hacked-off limbs or hint of the supernatural. In […]
JOJO RABBIT (Fox Searchlight – October 4): The discourse about Taika Waititi’s Jojo Rabbit has quickly become a debate between those who think its Nazi-era black comedy is authentically daring, and those who feel its purported audacity is a pretense covering a merely middlebrow sensibility. (Note: every person in the history of language who […]
As soon as Robert Redford had enough clout to start generating his own movies, he began starring in and often producing some of the best politically-themed films of the 1970s, including The Candidate, Three Days of the Condor and All the President’s Men. Laudably, in this latter portion of his career, he’s continued to be one of the […]