SERGIO (Netflix – April 17):  Greg Barker’s film has an unusual pedigree.  Barker, up to this point a documentarian, directed a nonfiction version of the same story (and with the same title) in 2009, but decided that he wanted to explore the life of UN diplomat Sergio Vieira de Mello further in a way […]

  EIGHT FOR SILVER:  Sean Ellis’s 19th century werewolf movie takes itself very seriously.  Ellis has extensively revised the usual mythology of the genre:  the full moon doesn’t figure into things, the werewolf curse dates back to biblical times and relates to a set of silver teeth, there’s a political dimension to the story, and […]

  BERGMAN ISLAND (IFC – Oct. 15):  Mia Hansen-Love’s Bergman Island asks to be poked and scrutinized in several ways.  It takes place on the island of Faro, where Ingmar Bergman filmed some of his most celebrated masterpieces and lived the last decades of his life, and which now hosts a thriving business of tours […]

  THE BOY AND THE HERON (GKids – Dec. 8):  Hiyao Miyazaki, a legend of animation (Spirited Away, My Neighbor Totoro, Princess Mononoke), had announced his retirement as a feature film director a decade ago, upon the release of The Wind Rises.  But at the age of 82, he’s returned with The Boy and the […]

  CAPTAIN PHILLIPS:  Order Tickets Now – Exceptionally Taut, Intelligent Real-Life Thriller Paul Greenglass is a master of capturing pulse-pounding immediacy on film, and for most directors that would be enough.  Hollywood would be more than happy to back a money truck up to his door and have him churn out nothing but additional Bourne […]

  JACK REACHER:  Watch It At Home – Next on TNT:  Tom Cruise If Tom Cruise’s career ever takes him to do a TV pilot, it would be a lot like JACK REACHER.  And not a classy, sophisticated pilot for AMC or HBO or Showtime or FX–no, this would be a standard basic cable procedural, or a […]

  SAFE HAVEN:  Watch It At Home – Nicholas Sparks Churns Out Another This year’s Nicholas Sparks romantic melodrama SAFE HAVEN is so much like last year’s Sparks romantic melodrama The Lucky One that one might suspect Sparks wrote it using tracing paper.  In both stories, a mysterious stranger with a hidden past comes to […]

  There was a distinct feeling in 2014 that movies–the business and art of mainstream American film–reached a kind of tipping point.  The industry seemed to collectively hit that moment in its flight when so much fuel has been burned that there’s no longer any realistic possibility of returning to home base. Trends that have […]