SAFE HOUSE:  Watch It At Home – You’ve Seen It     SAFE HOUSE feels like a remake, even though technically it’s not.  It’s a little bit Training Day, a little Bourne, a little Man On Fire (and everything else Tony Scott has ever done), with almost nothing added of its own, an exercise in […]

ABRAHAM LINCOLN:  VAMPIRE HUNTER – Not Even For Free – An Unconstitutional Offense Against Moviegoers   Honestly:  how is a movie called ABRAHAM LINCOLN:  VAMPIRE HUNTER not a comedy?  It’s as if Woody Allen had given the title Bananas to his film Interiors–it makes no sense.  And yet, Timur Bekmambetov’s picture, and presumably the source […]

Michael Shannon is brilliant in ICEMAN, but it has to be said that he’s brilliant in just about the same way that he was in Take Shelter, in Revolutionary Road, on Boardwalk Empire, and even in The Runaways (although at least there he got to be funny).  For an actor who only became known to a wide audience 3 years ago […]

  THE HOBBIT: AN UNEXPECTED JOURNEY – Watch It At Home – A Long, Slow Trek Through Middle-Earth As a devotee of the Tolkien canon, Peter Jackson is obviously responsive to sage words of wisdom and well-worn adages.  Here’s one he should have considered:  Quit While You’re Ahead.  But first, let’s talk about HFR. The […]

  If you go to too many Sundances, or see too many indie films, there are certain templates you come to recognize all too quickly.  THE LIFEGUARD, written and directed by Liz W. Garcia, a TV writer (Memphis Beat, Cold Case) making her directing debut, follows so many of these conventions that it could have […]

  NOW YOU SEE ME:  Watch It At Home – Don’t Look Too Closely A summer action movie, like a magic act, is only as good as its final trick, and the one in the relatively low-budget NOW YOU SEE ME (which this season means something under $100M) is fairly entertaining–not impossible to foresee, if […]

  THE DISAPPEARANCE OF ELEANOR RIGBY: HIM & HER is an extraordinary feature debut for its writer/director Ned Benson.  Indeed, it’s so remarkable that it comes close to not needing the modifier “debut” to express how good it is–if Benson hadn’t bitten off a bit more than he could chew, this would have been one (or […]

  X-MEN:  DAYS OF FUTURE PAST:  Buy A Ticket – For Once, The Script Is As Mighty As the CG After the money-making meatball that was Godzilla, X-MEN: DAYS OF FUTURE PAST serves welcome notice that a movie can cost hundreds of millions of dollars, be crammed with CG-generated spectacle, and still have room for an […]