THE DARK KNIGHT RISES:  Worth A Ticket – The Saga That Rewrote Superhero Movies Goes Out With A Weighty Bang Christopher Nolan likes his intricate, novelistic plotting.  You remember the portion of The Dark Knight where Batman had to travel to Hong Kong to capture a banker who was laundering money for Gotham City’s gangsters, because […]

  This year’s Toronto International Film Festival had a very solid line-up, so much so that although the titles below are listed in rough order of preference, even the worst of them is of some interest, very possibly worth seeing for those intrigued by the genre or filmmaker.  The Festival, as has been the case […]

  Showbuzzdaily’s Top 10 Films of 2012 can be found here, and the Worst 10 are here.  But there were other movies this year worth remembering: HONORABLE MENTIONS CLOUD ATLAS (Warners – October – written and directed by Andy Wachowski, Lana Wachowski and Tom Tykwer): An impossibly ambitious epic that was thrilling when it worked. […]

  SAFE HAVEN:  Watch It At Home – Nicholas Sparks Churns Out Another This year’s Nicholas Sparks romantic melodrama SAFE HAVEN is so much like last year’s Sparks romantic melodrama The Lucky One that one might suspect Sparks wrote it using tracing paper.  In both stories, a mysterious stranger with a hidden past comes to […]

  THE WAY, WAY BACK:  Watch It At Home – Modestly Engaging Coming-Of-Age Tale THE WAY, WAY BACK is one of the last real indie hopes for a original breakout hit this summer (it was a big buy out of Sundance, a $10M purchase by Fox Searchlight, the studio behind the Sundance smash Little Miss […]

  Zach Braff’s WISH I WAS HERE, his first film as a writer-director since Garden State 10 years ago, mixes genuine, deeply-felt emotion with the kind of contrivances that would grate even on a second-rate sitcom.  (This week’s episode:  Dad tries to homeschool the kids!  And Uncle Jonah wears a costume to Comic-Con just to […]

  CLOUDS OF SILS MARIA (IFC):  no release date scheduled – Watch It At Home Olivier Assayas is a dazzlingly ambitious filmmaker, determined to do something totally different with each project he undertakes.  The results range from the spectacular (Carlos) to the tone-deaf (Demonlover), with his new CLOUDS OF SILS MARIA, which premiered at Cannes […]

  Awards season is Darwinian, often placing two titles in direct competition that have only general traits in common.  Last year we had the British biographies The Theory of Everything and The Imitation Game, which might have canceled each other out in the end.  This year brings two excellent stories about journalism, Truth and now […]