The trouble with trying to recommend THE ONE I LOVE , written by Justin Lader and directed by Charlie McDowell, is that it’s impossible to describe how clever, surprising and intriguing it turns out to be without giving up its secrets.  It begins straightforwardly–so much so, in fact, that you might need to restrain an “Ah, […]

  PAIN AND GAIN:  Watch It At Home – Michael Bay On a Small Scale is Still Michael Bay There’s an almost meta strain that runs through Michael Bay’s PAIN AND GAIN, and you have to wonder, watching it, how much Bay was conscious of the fact that his customary musclebound, bloated, meatheaded style of […]

    SHERLOCK HOLMES:  GAME OF SHADOWS:  Watch It At Home – Far Too Elementary   We have to come to terms with the fact that an entire generation may recognize the name Sherlock Holmes not as the template for brilliant amateur crime-solving, but as a moderately intelligent action-comedy hero who dresses up in funny […]

  PARANORMAL ACTIVITY 3:  Worth A Ticket – More Minimalist Bumps In the Dark   The PARANORMAL ACTIVITY franchise is a movie studio’s dream come true.  The concept itself demands a no-star cast, a very limited number of settings and a bare minimum of special effects (the third and latest entry in the series cost […]

  Whatever one can say about Chris Columbus–and there’ll be plenty of less than glowing words about him below–he’s the man who cast Daniel Radcliffe, Rupert Grint and Emma Watson as the leads in 2001’s HARRY POTTER AND THE SORCERER’S STONE, and for that Warners should name a building after him.  The three grew over […]

    Everything is a little smoother in 2002’s HARRY POTTER AND THE CHAMBER OF SECRETS.  The young actors give more assured performances; Steve Kloves’ script, having gotten so much exposition out of its way in Sorcerer’s Stone, is faster and more character-based; the camerawork (by Roger Pratt instead of John Seale) is more fluid; […]

THAT’S MY BOY:  Not Even For Free – Low-Rent Even For Sandler   THAT’S MY BOY is 116 minutes long.  I mention that up front because, for those of us who consider time spent watching Adam Sandler movies to be akin to a prison term, there’s a constitutional right of due process to let you […]

  AMERICAN FICTION (Orion/MGM/Amazon – Nov. 17):  The Toronto People’s Choice Award has been something of a golden ticket to a Best Picture nomination over the years, and this year the prize went to Cord Jefferson’s directing debut American Fiction.  Jefferson’s script (based on the novel “Erasure” by Percival Everett) for the most part deftly toes […]