If there were no credits on the new comedy-drama YOU ARE HERE, it would almost be inconceivable that an audience member would imagine it coming from the typewriter of Matthew Weiner, the creator of Mad Men.  It’s not that You Are Here is unwatchably terrible, but that it’s merely OK in a familiar and hackneyed way that’s the […]

  HER:  Buy A Ticket – Tetrabytes of Love From Spike Jonze HER, which was presented at the AFI Film Festival before opening in theatres next month, is the first film Spike Jonze has directed from his own original script, and although its inventiveness recalls Being John Malkovich and Adaptation., the projects on which he collaborated […]

    THE MUPPETS:  Watch It At Home – Nonstop Cuteness   When it was announced that Disney’s new movie of THE MUPPETS (the Mouse House bought the entire franchise from Jim Henson’s company some years ago) was going to be written by Jason Segel and Nicholas Stoller, previously behind Forgetting Sarah Marshall (and Stoller […]

  BLUE IS THE WARMEST COLOR:  Buy A Ticket – A 3-Hour Deep Dive Into A Character’s Soul BLUE IS THE WARMEST COLOR is relentlessly, sometimes suffocatingly intimate.  By that I don’t mean its celebrated, lengthy (although simulated) sex scenes between lead characters Adele (Adele Exarchopolous) and Emma (Lea Seydoux), which have earned it an […]

  TO THE STARS (no distrib):  Tales of small-town outcasts are a regular feature at Sundance, and Martha Stephens’ drama is an accomplished example of the genre.  Shannon Bradley-Colleary’s script is set in 1960s Oklahoma (the film is splendidly shot by Andrew Reed in a black and white that recalls The Last Picture Show), centering on […]

  THE GREAT GATSBY:  Watch It At Home – Moulin Gatsby Just for fun, let’s try to think of a worse match of filmmaker and material than Baz Luhrmann and F. Scott Fitzgerald’s THE GREAT GATSBY.  Judd Apatow’s Macbeth?  Woody Allen’s Lord of the Rings?  Michael Bay’s Remembrance of Things Past?  Jean-Luc Godard’s Shrek?  (Although […]

  GLASS ONION (Netflix – November 4 in theaters, December 23 online):  After Rian Johnson’s Knives Out broke through to become one of the increasingly few non-IP-based mainstream hits in the market ($311.6M worldwide), Netflix moved aggressively to buy out the franchise, reportedly paying $450M for the next 2 crime-solving adventures of detective Benoit Blanc […]

  Earnest and low-key to a fault, Liza Johnson’s HATESHIP LOVESHIP might have felt more at home in the Narrative Competition at Sundance than in Toronto.  It has a dramatic recessiveness, almost a passivity, for much of its length, that makes it hard to see just what kind of story it thinks it’s telling.  Ultimately, though, it […]