PRESENCE (Neon – TBD):  Steven Soderbergh has always appreciated, and often demanded, a challenge, and in Presence he and screenwriter David Koepp have taken an original approach to the haunted house genre.  The point of view character here is the ghost itself, who we’re told has an inchoate consciousness that can’t distinguish between past […]

  PROMISING YOUNG WOMAN (Focus/Universal – April 17):  Emerald Fennell’s feature-film writing/directing debut has antecedents as old as the 1973 TV-movie The Girl Most Likely To… (co-written by Joan Rivers) and as recent as Killing Eve (for which Fennell served as Season 2 showrunner), with the added frisson of a #MeToo-driven storyline.  Cassie (Carey Mulligan) […]

  MISSION:  IMPOSSIBLE – GHOST PROTOCOL:  Worth A Ticket – Routine But Spectacular   With MISSION:   IMPOSSIBLE – GHOST PROTOCOL, Brad Bird makes the very unusual transition from animation auteur to live-action director.   Of course, since his animated work includes The Incredibles, one of the snazziest and smartest action-adventures of recent years, the leap […]

At this point in movie history, it’s beside the point to ask why we even need a new film version of GREAT EXPECTATIONS when David Lean’s 1946 masterpiece still exists.  (And for those who want a different slant on the story, there’s Alfonso Cuaron’s 1998 modern-day revamp.)  The industry feeds itself on a diet of […]

  Whatever one can say about Chris Columbus–and there’ll be plenty of less than glowing words about him below–he’s the man who cast Daniel Radcliffe, Rupert Grint and Emma Watson as the leads in 2001’s HARRY POTTER AND THE SORCERER’S STONE, and for that Warners should name a building after him.  The three grew over […]

  THE BRONZE is an entertaining but standard-issue R-rated American comedy, equal parts Bad Teacher and any Danny McBride vehicle, which makes one wonder what it’s doing in the Dramatic Competition line-up at the Sundance Film Festival.  (McBride’s breakout movie The Foot Fist Way also premiered at Sundance, but in the more genre-oriented Midnight section.)  Another similarity to […]

  BLINDSPOTTING (no distrib):  At Sundance, often one doesn’t seek perfection so much as promise, and there’s plenty of the latter in Blindspotting, written by its stars Daveed Diggs and Rafael Casal.  They have a lot on their minds, from the gentrification of Oakland to police shootings of unarmed black men to the dynamics of […]

> Here are capsule summaries of all this year’s SHOWBUZZDAILY Toronto Film Festival reviews, arranged more or less in order of preference.  Click on each title for the full review, and the complete list of all the reviews is here.  SHAME:  Audiences who go to the new film by Steve McQueen (not that one) for […]