> Oren Moverman’s first film as a director, The Messenger, was a beautifully contained, emotionally detailed story about soldiers assigned to deliver tragic news to the families of the deceased.  In his new film RAMPART, which premiered at the Toronto Film Festival, Moverman is more ambitious and, unfortunately, a victim of the sophomore jinx. This […]

> I write this as a fairly obsessive fan of Stanley Kubrick, back since I desperately wanted to see A Clockwork Orange in its original X-rated release but was too young to get in. So the very idea of ROOM 237, a feature-length film by Rodney Ascher constructed of the theories and interpretations that have […]

  THE GUARD – Worth A Ticket:  The Art of Performance, Crispy and Well-Done   I don’t know that there’s an actor in movies today more fun to watch than Brendan Gleeson.  Gleeson is probably best known for playing Mad-Eye Moody in several of the Harry Potter movies, but he’s been giving sensational performances since […]

    MY WEEK WITH MARILYN:  Worth A Ticket – Michelle Williams is Spectacular, Movie Is Fine   Harvey Weinstein has two movies on the way in the next couple of months featuring actresses who are presumptively in line for Oscar consideration: The Iron Lady with Meryl Streep as Margaret Thatcher, and MY WEEK WITH […]

    THE WOMAN IN BLACK:  Watch It At Home – Fun, But Creaky As Its Doors   THE WOMAN IN BLACK is so aggressively old-fashioned it sometimes feels like the horror movie version of The Artist.  A haunted house story in the grand style, it may be in color and wide-screen, but its heart […]

TO ROME WITH LOVE:  Worth A Ticket – Woody Allen Takes A Roman Holiday   At the age of 76, with 44 films and a moving van’s worth of awards to his credit, Woody Allen doesn’t worry too much about topping himself.  His assembly line readies next year’s movie for production before the current year’s […]

    THE IMPOSSIBLE – Worth A Ticket – A Tsunami Film With Both Spectacle and Emotion Director Juan Antonio Bayona has done a spectacular job of re-creating the 2004 Asian tsunami in THE IMPOSSIBLE. Staged mostly in studio tanks with added CG imagery, the 10-minute long sequence puts Clint Eastwood’s version of the disaster in Hereafter […]

  PLAYING FOR KEEPS:  Not At Any Price – All Penalty, No Kick Has any actor more thoroughly wasted his 15 minutes in the Hollywood spotlight than Gerard Butler?  Since he hit with 300 half a dozen years ago, he’s churned out PS I Love You, Nim’s Island, RocknRolla, The Ugly Truth, Gamer, Law Abiding […]