THE HOBBIT:  THE BATTLE OF THE FIVE ARMIES – Watch It At Home – The Best of the Hobbit Trilogy Is Still Just Its Tallest Dwarf It’s hard to get around the sad fact that Peter Jackson’s THE HOBBIT trilogy has diminished the stature of his great Lord of the Rings series.  It’s all […]

  LA LA LAND (Summit/Lionsgate – December 2):  No film arrived at Toronto this year with more hype to live up to than Damien Chazelle’s La La Land, the follow-up to the filmmakers’s Oscar-winning Whiplash and the recipient of white-hot raves in Venice (where Emma Stone won the Best Actress award) and Telluride.  Chazelle’s rapturous […]

  FAHRENHEIT 11/9 (Midwestern – opens September 21):  In the course of Fahrenheit 11/9, Michael Moore takes a shot at Jeff Zucker and Les Moonves for admitting that Donald Trump has been good for their businesses, but it’s a weakness of Moore that he lacks the self-knowledge to recognize that the same is true for […]

  WORTH (no distrib):  A dry but fascinating angle on the story of 9/11, Worth centers on the real-life Ken Feinberg (Michael Keaton), an attorney with a very specific expertise:  he and his firm calculated and negotiated compensation payouts to victims and survivors of disasters, in order to settle suits brought for their losses.  In […]

  THE GOOD HOUSE (DreamWorks – TBD):  By my count, it’s been two full decades since Sigourney Weaver was at the center of a feature film (that was Heartbreakers, where she shared the spotlight with Jennifer Love Hewitt), and that says an unfortunate amount about the American movie industry.  So even though Maya Forbes and […]

  CAT PERSON:  It seems to be necessary to establish one’s bona fides (or lack thereof) before commenting on Susanna Fogel’s Cat Person, so I’ll note that I’ve never read Kristen Roupenian’s celebrated New Yorker short story.  I’m given to understand, however, that the entire third act of Michelle Ashford’s adaptation is an add-on, which […]

  THE ASSESSMENT (no distrib);  It seems initially as though Fleur Fortune’s feature directing debut The Assessment will be easy to peg.  The script, by John Donnelly and the duo credited as “Mrs and Mr Thomas”, appears to fall neatly into the subcategory of sci-fi as social commentary a la The Handmaid’s Tale.  In a […]

  Joe Swanberg, the director, writer and co-star of HAPPY CHRISTMAS, which premiered at Sundance earlier this week, makes Woody Allen look lazy.  He’s had something like a dozen features to his credit since the start of the decade, and that doesn’t include his shorts and contributions to compilations like V/H/S, to say nothing of the projects […]