TED:  Watch It At Home – More Than a TV Show, Less Than a Movie   With TED, Seth MacFarlane makes his move to the big screen from a spectacularly successful career in adult-oriented TV animation, steering most of FOX’s non-Simpsons “animation domination” line-up with Family Guy, American Dad and The Cleveland Show.  More significantly, though, Ted marks his first […]

> TIFF’s Midnight Madness program is exactly what you think it is:  10 flat-out, unapologetic genre movies that premiere each night at midnight in front of a raucous crowd at the 1200-seat Ryerson Theatre.  In any given year, the Madness may include unexpected gems like last year’s Insidious and 2006’s Borat, interestingly weird pictures such […]

> Sundance changed the way it kicks things off this year. Instead of a single high-profile Opening Night Film (which has almost always turned out to be a disappointment), the festival screened several smaller films. For those of us who arrived before the madness begins in earnest tomorrow, there was the chance to get Wait […]

  HORRIBLE BOSSES – Watch It At Home:  Doesn’t Earn A Raise   A comedy can get away with not being very good as long as it’s funny, and HORRIBLE BOSSES delivers some laughs.  Most of those come from the chemistry between stars Jason Bateman, Jason Sudeikis and Charlie Day, and since the funniest bits […]

  THE BIG YEAR:  Watch It At Home – Very Small Pleasures   THE BIG YEAR is an amiable, good-natured comedy that’s so insubstantial it seems to fly out of your memory even as you’re watching it.  If it had been a low-budgeted indie that turned up at a film festival, it might have felt […]

  In 2007, Julie Delpy wrote, directed and co-starred in 2 Days In Paris, a romantic comedy-drama featuring Adam Goldberg and herself as a couple who lived in NY and visited the title city for a tumultuous visit with her character Marie’s family.  Paris was only a moderate art-house success in the US ($4.4M), but […]

  PROMETHEUS:  Worth A Ticket – For the Visual Splendor, Not the Plot   Expectations were undoubtedly too high for PROMETHEUS.  The Alien franchise (and notwithstanding Ridley Scott and co-writer Damon Lindelof’s hemming and hawing on the subject, it’s utterly clear that Prometheus is nothing but a prequel entry in the franchise) has never been […]

  ALEX CROSS – Not At Any Price – A Pilot For A Show You Wouldn’t Watch ALEX CROSS is as generic as a cop movie can be–it’s a few commercial breaks away from airing on CBS or TNT–but there’s been a certain fascination about it since it was announced that the lead role would […]