THE BUTLER:  Worth A Ticket – Superb Acting Elevates A History Lesson THE BUTLER, in its form and earnestness, recalls the days of prestige TV movies and miniseries that used to be associated with the Hallmark Hall of Fame and network sweeps periods (and which now exist only as a vestige on pay-cable, mostly […]

> THE CHANGE UP – Watch It At Home:  Cliches with Dirty Words Are Still Cliches There have been plenty of R-rated comedies this summer–a bumper crop, really–but none more fully committed to raunch than THE CHANGE-UP.  The script by Jon Lucas and Scott Moore (they wrote The Hangover, but also Ghosts of Girlfriends Past) […]

> Rodrigo Garcia’s film ALBERT NOBBS (he shares auteurship with Glenn Close, who served as screenwriter with John Banville and Gabriella Prekop and as a producer as well as star) caters to what used to be called the James Ivory audience, when he was still churning his films out. In NY, these are the audiences […]

Francois Ozon’s IN THE HOUSE is a delicious examination of the pleasures and dangers of addictive narrative.  Storytelling (and corresponding tricks of cinematic structure) has been an interest of Ozon’s throughout his career, in films like Sitcom, Swimming Pool, 5×2 and Angel, and here he approaches the subject from a new angle. The setting is […]

  TRANSFORMERS: AGE OF EXTINCTION:  Not Even For Free – Hollywood’s Blockbuster Mentality To the Max Here are just a few of the epic movies with running times shorter than the 165 minutes of TRANSFORMERS: AGE OF EXTINCTION:  Apocalypse Now, Avatar, 2001: A Space Odyssey, The Bridge On the River Kwai, Boogie Nights and Empire […]

    THE LORAX:  Not Even For Free – A Seussian Mess   It may not be pretty, but surely it’s true–Credit must go where credit is due.  In this case, that means the Universal Pictures Marketing Department, which as it turns out has done a splendid job these last few weeks of hiding just […]

> TIFF’s Midnight Madness program is exactly what you think it is:  10 flat-out, unapologetic genre movies that premiere each night at midnight in front of a raucous crowd at the 1200-seat Ryerson Theatre.  In any given year, the Madness may include unexpected gems like last year’s Insidious and 2006’s Borat, interestingly weird pictures such […]

  STUDIO 54 (no distrib):  Matt Tynauer’s documentary covers all the bases of the disco that defined nightlife for a surprisingly brief time in the late 1970s, from the club’s construction on the site of an old CBS TV studio, to its “no bridge and tunnel” door policy (even though co-owners Steve Rubell and Ian […]