THE BEST EXOTIC MARIGOLD HOTEL: Worth A Ticket – A Different Kind of Dream Team Bear with me here. On Friday, Fox Searchlight will throw THE BEST EXOTIC MARIGOLD HOTEL directly into the path of the mega-buster that is The Avengers. (Well, in 27 big-city theatres, anyway.) It’s tempting, of course, […]
JUDY (Roadside – September 27): Oscar bait in its fullest form, a showbiz celebrity biography built around the work of a performer making a comeback, requiring said performer to alter appearance and render services beyond mere acting. Judy the film has already become the story of Renee Zellweger the Best Actress candidate, a story […]
KODACHROME (no distrib): AKA that page of the indie movie playbook marked “Dysfunctional Family Road Trip To Redemption.” Jonathan Tropper (This Is Where I Leave You) wrote the script, and it has his novels’ mix of damaged-man soap and rom-com. This one features a dying dad (Ed Harris), who has the kind of incurable […]
MAGIC MAGIC never really makes clear what it intends to be, but it’s awfully fascinating to watch. Written and directed by the prolific Sebastian Silva, who had two films at Sundance this year (the other was the well-received Crystal Fairy), and who is best known for his art-house success The Maid, Magic is set […]
The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The West Wing and Third Watch to his credit. In recent years, though, he’s been spending a lot of his time in the more rambunctious world […]
ON CHESIL BEACH (no distrib): Ian McEwan’s longish novella/shortish novel has been adapted by McEwan himself into a fluid and extremely English film, the first feature directed by stage director Dominic Cooke. The main action takes place during the honeymoon night of Florence (Saorirse Ronan) and Edward (Billy Howle) in 1962, with copious flashbacks […]
Jacques Audiard doesn’t do sentimental. His last film, A Prophet, had the clear-eyed view of crime and the dramatic heft of a French version of “The Wire,” and his new and very different drama RUST & BONE benefits as well from his refusal to take the road of easy emotion. Lord knows, the bare […]
> One of the enduring questions of Madonna’s illustrious quarter-century career is how someone so brilliant in managing every other facet of her persona has consistently made such terrible decisions when it comes to movies. It’s the one medium where she’s never succeeded, and even when she’s occasionally done something right, she instantly follows it […]