EDGE OF TOMORROW:  Watch It At Home – Needed To Hit Reset One More Time There’s a lot of inventiveness in EDGE OF TOMORROW, which combines the premise of Groundhog Day with a War of the Worlds-like plot–certainly more than the usual for a mega-budgeted Hollywood summer action movie.  That keeps it compelling for […]

  It’s an unfortunate irony that TRUMBO, the story of one of Hollywood’s great blacklisted screenwriters, is undermined by an inadequate script.  It’s written by John McNamara, also the man behind NBC’s low-rated Aquarius, and viewers may find it difficult to figure out just what he and director Jay Roach had in mind, as they […]

  mother! (Paramount – Sept 15):  It may come as a shock to people who have been following the marketing for Darren Aronofsky’s mother! to find out that it isn’t a horror movie at all.  It uses thriller grammar from time to time, and in the early going you might think you’re going to see […]

  THE REPORT (Amazon):  Scott Z. Burns’s political expose is important and engrossing, but it’s composed of so much exposition that it may have trouble finding a mainstream audience.  (Which made Amazon’s decision to pay $14M to acquire it somewhat surprising.)  The film is concerned with two overlapping cover-ups over a period of years, set […]

  MARVELOUS AND THE BLACK HOLE:  Goodhearted YA comfort food.  Kate Tsang’s feature debut is about 13-year old Sammy (Miya Cech), who has become surly and rebellious toward her father Angus (Leonardo Nam) and sister Patricia (Kannon Omachi) since the death of her mother.  Things become even worse when potential stepmother Marianne (Paulina Lule) enters […]

  BROS (Universal – Sept. 30):  Notwithstanding its occasional meta self-deprecation, it’s clear that Nicholas Stoller and Billy Eichner (both writer/producers and respectively director and star) want Bros to be Hollywood’s first mainstream big-screen gay rom-com hit.  It’s fitting in a way, then, that like so many straight rom-coms before it, Bros suffers from third […]

  IT’S WHAT’S INSIDE (Netflix – TBD):  The biggest sale of the festival as of this writing–a $17M paycheck from Netflix–was its most dynamite entertainment.  Greg Jardin’s feature writing/directing debut feels like Bodies Bodies Bodies was given an injection of The Last of Sheila‘s brains.  Note:  Jardin has asked that his central plot mechanism not be spoiled, which […]

> Like any showbiz stripper, the Sundance Film Festival has left its most notable revelations for last:  after releasing its Competition Entries and its Midnight and Other Fringe Titles, today the Festival announced its highest-profile Premiere films, both scripted and documentary.  They seem a bit lower-key than usual this year, with stars and filmmakers notable […]