DARK MATTER:  Friday 10PM on Syfy – Change the Channel You can easily imagine the first episode of Syfy’s new DARK MATTER as being the pitch that sold the series, and it also sounds like the start of a joke:  6 people and an android wake up on a spaceship…  (In fact, the show […]

  NASHVILLE:  Thursday 9PM on CMT (returns January 5) It’s not clear how much of a signpost tonight’s “sneak peek” hour of NASHVILLE Season 5 will turn out to be.  It was the initial hour to air on new post-ABC home CMT (it will re-air as part of the official 2-hour season premiere next month), […]

  BACKPACKERS:  Monday 8:30PM on CW – Change the Channel BACKPACKERS feels like a student film project, although it isn’t one.  Instead, it’s another example of the walls coming down between entertainment platforms:  a Canadian digital series–written and directed by British talent–that aired on CW’s website and has now been picked up for air (along […]

  JACK RYAN: SHADOW RECRUIT:  Watch It At Home – Tom Clancy’s Hero Is Plugged Into A Routine Action Movie The fourth movie incarnation of Tom Clancy’s emblematic hero Jack Ryan (in 5 films) finds him much diminished.  Ryan was introduced in Clancy’s first novel, The Hunt For Red October, in 1984, which was filmed […]

  Although it’s part of the CW/Greg Berlanti DC Comics assembly line, BLACK LIGHTNING, created by Salim Akil, has been strikingly different from its comrades.  So far, it hasn’t noticeably been part of the shared universe formed by Arrow, The Flash, Supergirl and Legends of Tomorrow, aside from its invocation of “meta-humans” to describe those […]

  PUNCTURE:  Worth A Ticket – A Bracingly Dark Ride   No one is going to see PUNCTURE in theaters, and that’s a shame, because unaccountably, it’s one of the best pictures around.  “Unaccountably,” because this is a film that doesn’t even seem to know there’s a radar to fly below:  although it contains an […]

  AMERICAN FICTION (Orion/MGM/Amazon – Nov. 17):  The Toronto People’s Choice Award has been something of a golden ticket to a Best Picture nomination over the years, and this year the prize went to Cord Jefferson’s directing debut American Fiction.  Jefferson’s script (based on the novel “Erasure” by Percival Everett) for the most part deftly toes […]

  The old truism that Park City empties out during the second half of the Sundance Film Festival, making it possible to see all the hot titles that premiered at the festival’s start, is far less true than it used to be.  It was impossible to get into the festival’s big buy, The Way, Way […]