FINDING CARTER:  Tuesday 10PM on MTV – Potential DVR Alert Most YA drama, in one way or another, is about the emotional dislocation of being a teen, and in recent years, the reigning trope has been to externalize the theme supernaturally:  the teen discovers that he/she is a vampire, an alien, a witch, a […]

> (RATINGS NOTE:  THE TIME-SLOT FOR ABC’S 2D EPISODE OF WORK IT BEGAN WITH A 3-MINUTE LAST MAN STANDING OVERRUN ON THE EAST COAST, WHICH MAY MAKE OVERNIGHT RATINGS LESS ACCURATE THAN USUAL.) A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  […]

  KILLJOYS is, along with Dark Matter, one of the ultra-cheap scripted pieces that Syfy runs on Friday nights.  (Defiance, which airs with them, is a somewhat more ambitious enterprise.)  The grubby aesthetics of the two Canadian imports are so similar that it’s no surprise there’s been talk about a crossover between their universes–assuming both are […]

  ON BECOMING A GOD IN CENTRAL FLORIDA:  Sunday 10PM on Showtime There’s an overlap between two of cable’s more high-profile new shows, which also happen to air against each other in the linear world.  Both HBO’s The Righteous Gemstones and Showtime’s ON BECOMING A GOD IN CENTRAL FLORIDA are dark comedies about pernicious American […]

  STAR TREK:  DISCOVERY – Episodes available each Sunday at CBS All Access – In the Quene There are quite a few perils to reaching a judgment about the new STAR TREK: DISCOVERY based on its opening hour, the only episode that will air on the CBS broadcast network before the series begins streaming (1 […]

  JUSTIFIED:  Tuesday 10PM on FX Final seasons, as we all know, can be tricky, but JUSTIFIED seems to be in strong shape as it enters its last lap.   Justified lost a bit of its mojo last year, the victim of some inadequate villains and scattered plotting (the whole Mexican druglord subplot seemed to come […]

> Plot spoilers are even more problematic when it comes to limited releases, because by definition they’re only being seen by a few people in certain selected locations, and–if they’re good–will ideally be discovered by audiences over time.  Which is a roundabout way of saying that I strongly recommend, but can reveal almost nothing about, […]

  Visually, this season of BREAKING BAD has been typified by shots of Walter White’s looming, shaven, gleaming skull.  A bald pate may not have received this much loving camera attention since Brando’s in Apocalypse Now, and in tonight’s season finale, it was featured again, most notably in the great shot as Heisenberg fastened his […]