THE AFFAIR:  Sunday 9PM on Showtime It’s a bit surprising to be talking about a 4th season of Showtime’s THE AFFAIR at all, and not just because the ratings have always been mild, and the series has never attained the buzz or awards attention that prestige TV aspires to.  The Affair seemed to reach […]

  “Are you kidding me?  It’s always the weird stuff that’s the best,” Lafayette (Nelsan Ellis) said at one point during tonight’s season finale of TRUE BLOOD–he was watching the birth of half-human/half-faerie quadruplets at the time–and that appears to be the case for the show’s many fans as well.  The hour had no shortage […]

  THE GOOD PLACE:  Thursday 8:30PM on NBC starting 9/28 The Season 1 finale of NBC’s THE GOOD PLACE was a tough act to follow.  Michael Schur’s series pulled off the plot twist of the season, which turned out on further examination to have been hiding in plain sight all along.  We learned (2016-17 spoiler […]

  DALLAS:  Monday 9PM on TNT As TNT pushes its action-oriented “Boom” branding campaign (successfully with The Last Ship, not so much with Murder In the First nor apparently the new Legends), DALLAS seems more and more like a remnant not just of an earlier era of television, but of its own network’s past.  The […]

  THE CABIN IN THE WOODS:  Watch it At Home – Clever and Culty   Seeing THE CABIN IN THE WOODS is sort of like being in Fight Club:  the first rule is not to talk about it.  Or, at least, not to reveal any of the wild, ingenious twists put into place by its […]

  BONES brought out the big guns for its Season 8 finale–a long-awaited marriage proposal from Brennan (Emily Deschanel) to Booth (David Boreanaz), and the return of the show’s arch-villain, Christopher Pelant (Andrew Leeds).  Pelant is both a genius-level computer hacker and a serial killer who, the last time we saw him, had stolen Hodgins’ […]

  R#J:  Every generation gets its Romeo & Juliet.  In Carey Williams’ R#J, the words of Shakespeare are only occasionally heard.  Instead, these extremely up-to-date Capulets and Montagues communicate almost exclusively over social media on their phones, and those screens are where the bulk of the film takes place.  As written by Williams, Rickie Castaneda and […]

  Kate Barker-Froyland’s directing debut SONG ONE is so wispy and insubstantial that the bytes making up its digital images seem barely capable of adhering to a screen.  Clearly influenced by John Carney’s mini-musical Once, it makes Carney’s film look like an Andrew Lloyd-Webber spectacle by comparison. Barker-Froyland also wrote the minimal script, which almost exhausts its resources […]