SIGNIFICANT MOTHER:  Monday 9:30PM on CW – Change the Channel CW doesn’t air scripted half-hours in its regular season line-up, and it’s been trying its hand with them over the summer when there’s little to lose.  No one is watching its Thursday British import Dates, but it’s a surprisingly nimble set of mostly two-actor, […]

  WICKED LITTLE LETTERS (no distrib):  In The Lost Daughter, Olivia Colman and Jessie Buckley played the same character at different ages, which prevented them from sharing the screen.  That’s remedied in the fairly irresistible Wicked Little Letters, an English small-town comedy in the classic (if exceptionally foul-mouthed) mode.  Inspired by a true incident, it tells the […]

  TAKEN:  Monday 10PM on NBC – If Nothing Else Is On… NBC’s television version of TAKEN doesn’t have much to do with the movie franchise that provided its title, other than fitting into the action genre and featuring a hero named Bryan Mills.  Although presented as a sort of prequel, it’s a modern-day origin […]

  MIND GAMES:  Tuesday 10PM on ABC – If Nothing Else Is On… The creator of ABC’s midseason MIND GAMES, Kyle Killen, was the man behind Lone Star and Awake (as well as the movie The Beaver), so he doesn’t lack in fertile imagination.  What he hasn’t had, however, is any commercial success whatsoever, and […]

  MANIFEST:  Mondays 10PM on NBC Of all the Lost rip-offs we’ve seen over the years, NBC’s MANIFEST seems from its pilot to be the laziest, and perhaps the worst.  Creator Jeff Rake (he has the eminently forgettable The Mysteries of Laura to his credit) has replaced the dense mythology of Lost with a set-up […]

    LAST MAN STANDING was a terrible show when the season began, and it hasn’t gotten any better.  The series was anticipated to be a blockbuster hit, and ABC gave it the unusual task for a new series of opening up a night, since it marked the return of Tim Allen to series television, […]

  Not every novel needs to be a 4-hour miniseries, and a good example is A&E’s new version of COMA.  Robin Cook’s novel was capably filmed in 1978 by Michael Crichton in a brisk 113 minutes, and extending the story by more than an hour (once commercials are removed) does nothing but protract a tale […]

  Throughout its first season, COPPER has almost never been as vivid as it seemed like it should be.  The show’s premise and auspices were promising:  the lead producers were Barry Levinson and Tom Fontana, who apart from their illustrious solo credits, had combined as a team for the seminal cop show Homicide:  Life On […]