HAPPY! – Wednesday 10PM on Syfy – In the Queue HAPPY! counts as one of Syfy’s infrequent big swings, although its ultra-violent grunge aesthetic gives it a look and feel that isn’t all that different from the network’s usual diet of micro-budgeted co-productions.  This one, though, has a name star in Christopher Meloni, and […]

>The FOX pilot LOCKE & KEY is a very effective hour of creepiness, but it’s not that hard to understand why the network didn’t put the project on its schedule.  The show screams “cult hit” at best, and the pilot feels more like a shortened feature film than the viable prototype for a continuing weekly […]

  PENNY DREADFUL:  Sunday 10PM on Showtime starting May 11 – Potential DVR Alert Showtime’s PENNY DREADFUL is an elegant addition to TV’s horror canon.  It’s been created and its initial 8-hour season has been entirely written by John Logan, whose A-list scripts include Gladiator, The Aviator, Sweeney Todd, Rango and Skyfall, and its pilot […]

  POLITICAL ANIMALS:  Sunday 10PM on USA – Potential DVR Alert   POLITICAL ANIMALS is a lot more Brothers & Sisters than it is The West Wing, which makes sense because it’s the work of Greg Berlanti, who took over as showrunner on B&S when show creator Jon Robin Baitz wasn’t giving ABC the soap […]

  “Go big or go home” isn’t a sentiment that’s usually associated with the second year of a successful TV series.  More often, it’s “Do the same thing again,” possibly appended with “… only bigger.”  But Sam Esmail, the creator of MR. ROBOT (and this season, also the director of all its episodes), knows no […]

  THE BOY AND THE HERON (GKids – Dec. 8):  Hiyao Miyazaki, a legend of animation (Spirited Away, My Neighbor Totoro, Princess Mononoke), had announced his retirement as a feature film director a decade ago, upon the release of The Wind Rises.  But at the age of 82, he’s returned with The Boy and the […]

  ZERO DARK THIRTY:  Worth A Ticket – The Year’s Most Gripping Thriller Is True You already know how ZERO DARK THIRTY ends.  You knew how All the President’s Men ended, too, and Apollo 13 and Titanic.  Great drama doesn’t require M. Night Shyamalan-esque surprise endings, or twisty, tricky narrative structure.  Sometimes the most satisfying […]

> Worth a ticket. They say that the definition of madness is repeating the same action with the expectation of a different result.  But that diagnosis doesn’t allow for this:  a man (Jake Gyllenhaal) wakes up and finds himself on a train, where his reflection in the mirror doesn’t look like himself, and the woman […]