MINORITY REPORT:  Monday 9PM on FOX – If Nothing Else Is On… It’s not unusual for a sci-fi/fantasy or action-adventure pilot to boast a far more generous budget than the amount allotted to ordinary series episodes, sometimes double or more.  So the high-tech production design and snazzy special effects of FOX’s MINORITY REPORT pilot, […]

  RED WIDOW:  Sunday 10PM on ABC The “2-hour premiere” of RED WIDOW actually consisted of the pilot that was shot before last year’s upfronts, combined with the first regular episode (both halves written by series creator Melissa Rosenberg, with the pilot directed by Mark Pellington and episode 2 by Daniel Sackheim).  Watching the combination […]

  TEN DAYS IN THE VALLEY:  Sunday 10PM on ABC – Potential DVR Alert TEN DAYS IN THE VALLEY is very ABC, in a good way.  Created by Tassie Cameron, who co-created the network’s longtime summer hit Rookie Blue, it’s a purportedly closed-end mystery soap, about a successful TV-producer mother whose 8-year old daughter goes […]

  ENDLESS LOVE:  Not Even For Free – Hopeless Wreck Truly:  why does this new ENDLESS LOVE exist?  Even on the crassest commercial level, it makes very little sense.  The 1981 Franco Zeffirelli/Brooke Shields/Martin Hewitt version is remembered as neither good nor particularly successful (it made only half as much as Shields’ Blue Lagoon had […]

  THE HELP – Worth A Ticket:  The Story May Be Soft, The Acting Isn’t   THE HELP is–and I mean this in a good way–a big-screen Hallmark Hall of Fame.   It’s a long, absorbing, emotionally satisfying piece of mainstream Hollywood moviemaking that skims the surface of its difficult subject–the life of black maids […]

> WARNING:  If You Watch THE LEAGUE For Its Plot Revelations(?), Spoilers Below THE LEAGUE is no longer the best sitcom on TV that no one’s ever heard of.  The show has become consistently, increasingly popular, so much so that it’s no longer riding in the ratings on the coat-tails of its FX lead-in It’s […]

  RAY DONOVAN:  Sunday 9PM on Showtime It’s a bit surprising that RAY DONOVAN has been a steady performer for Showtime, considering that its tone tends toward the glum and monotonous, but next to Homeland, it’s one of the network’s more consistent titles.  Despite that success, Showtime deposed series creator/showrunner Ann Biderman at the end […]

  HOW TO GET AWAY WITH MURDER is an edifice built on two foundations:  the acting of Viola Davis as the show’s brilliant and complex criminal attorney Annalise Keating, and the ability of series creator Peter Nowalk and his writing/producing staff to come up with compelling non-stop plot twists.  In Season 2, Davis as usual […]