ORPHAN BLACK:  Saturday 9PM on BBCAmerica In an era of non-stop TV drama overhype, last season’s arrival of ORPHAN BLACK was that extreme rarity:  the real thing.  Even its network didn’t seem to know initially what it had on its hands, as BBCAmerica promoted the show, but reserved the bulk of its marketing resources […]

> Watch It At Home:  Much sadness, little insight. BEAUTIFUL BOY is less interesting than you’d think it would be.  The premise is certainly arresting:  Shawn Ku’s first film (written with Michael Armbruster) tells the story of the aftermath of a school massacre, from the viewpoint of the parents of the teen who shot down […]

> Watch It At Home. Were the executives at Warner Bros so desperate to be in business with Russell Brand that they huddled together in a conference room one day, frantically going through their library titles in search of alcoholic lead roles he could play?  (“Days of Wine and Roses… a little dark.  Clean and […]

  Something unexpected has been going on in the first half of the fourth season of AMC’s franchise spin-off FEAR THE WALKING DEAD.  Fear has always felt like a corporate calculation and a creative afterthought, unable to find a lasting identity as it roamed from being a Walking Dead prequel to being all too literally […]

  TNT has been burning through its old-line series like Major Crimes and The Librarians two episodes at a time in recent weeks, seemingly in a frenzy to get rid of them.  The network has put its muscle behind darker, more serialized and adult dramas, with mixed results:  Animal Kingdom and Claws are hits, while […]

  In its second season, Stephen Bochco and Eric Lodal’s MURDER IN THE FIRST altered its format, only to find new ways to fail.  Season 1 had told a single convoluted story, a murder mystery loaded with so many red herrings and reversals that by the time it ended, it was impossible to care who […]

  THE ASTRONAUT WIVES CLUB never achieved much in the way of lift-off, and although ABC knew it was coming–there was a reason it was pushed to a summer run as the lead-in to Mistresses–the show’s flat quality must have initially taken the network by surprise.  On paper, the show seemed like it was exactly […]

  It just wouldn’t be a film festival without something from Michael Winterbottom.  Winterbottom isn’t at the very top of the film director pantheon, but he’s respected enough that his projects have been in near-constant festival demand for most of his two decade-long career, and one way or another they tend to be included in […]