CODE BLACK:  Wednesday 10PM on CBS – Change the Channel CBS’s new CODE BLACK is a mini-film festival of medical show cliches.  It’s set in a notoriously busy emergency room at a Los Angeles hospital, which frequently reaches the point where the patients needing immediate treatment swamp the resources available to treat them–designated “Code […]

  Plot and character revelations are a critical part of James Marsh’s subtle, complex spy drama SHADOW DANCER, adapted by Tom Bradby from his own novel, so I’ll be circumspect in describing its plot beyond the initial set-up.  (Then again, I saw it at an 8:30AM screening at Sundance, so I’m not altogether sure I […]

    HATFIELDS & MCCOYS, already a blockbuster hit, kept its best and most compelling hours for last.  Although the conclusion of the 6-hour tale, directed throughout by Kevin Reynolds and with this installment written by Ted Mann and Ronald Parker, has its share of tense confrontations and large-scale action, it dwells more on the […]

  In 1988, the Chilean military dictatorship headed by General Augusto Pinochet was forced by diplomatic pressure to finally permit a democratic election, in order to prove its claim that the country’s people supported his presidency.  The plebiscite was simple:  voters would vote either “Yes” or “No” to authorize an additional 8-year term for the […]

  BARRY:  Sunday 10:30PM on HBO – Potential DVR Alert The buzz is that HBO’s BARRY is a series that changes quite a bit from its pilot, so we’ll keep this short and return to the series later in its 8-episode run.  Co-created by star Bill Hader (who also directed the opening three episodes) and […]

  For this audience member, it was the day Toronto moved into high gear. MOONLIGHT (A24 – October 21):  Barry Jenkins’s second film, after his little-seen but much-praised Medicine For Melancholy, is a validation of film festival culture and a reminder of the power of film as personal expression.  (Although the source material is a […]

> Not Even For Free Let’s give a little love to the devious people at Universal who cut the trailers.  The masterminds behind the red-band for YOUR HIGHNESS managed to find, in its 102 dull minutes, roughly 3 and a half that, when cut together with fiendish skill, suggested the movie had actual laughs.  Bow […]

  David Ayer’s END OF WATCH brings a new wrinkle to the “found-footage” genre by using it in a cop movie.  LAPD Officer Brian Taylor (Jake Gyllenhaal) wires a camera to his uniform, and constantly photographs what’s going on while he’s on the beat, supposedly to generate footage for a documentary he wants to put […]