THE YOUNG POPE:  Sunday/Monday 9PM on HBO – DVR Alert The cinema-tization of television continues with HBO’s THE YOUNG POPE.  It’s been created and directed by the filmmaker Paolo Sorrentino, who made 2013’s Best Foreign Film Oscar winner The Great Beauty and followed it with the gorgeous but not quite coherent Truth.  Sorrentino is […]

  KEVIN (PROBABLY) SAVES THE WORLD:  Tuesday 10PM on ABC – In the Queue ABC’s KEVIN (PROBABLY) SAVES THE WORLD is the closest any broadcast network has to a Big Swing this fall, and as such, it deserves some respect.  But wow, is it a mess.  The only reason the fantasy-inspirational dramedy holds together even […]

  This year’s COVEN season of AMERICAN HORROR STORY was as cohesive as the proudly bizarre  series is ever likely to get.  That entailed a slight shortage of the WTF variety moments that have made the two previous seasons memorable–no aliens, no fiendish medical experiments, no appearances by Anne Frank–but there was something to be […]

> Warning:  Spoilers Ahead Here, in the end, is all you needed to know about TERRA NOVA:  in its entire 2-hour season–and very possibly series–finale, dinosaurs were sighted for a grand total of about 2 minutes. Remember the original promos for Terra Nova, the ones that played on FOX for months while the show kept […]

  THE GOOD FIGHT:  Episodes Release Each Sunday On CBS All Access – Binge-Worthy If THE GOOD FIGHT were actually a CBS drama, the spin-off of The Good Wife would instantly become the network’s best show–and one of the most promising anywhere on broadcast TV.  But while a slightly edited version of the opening episode […]

  John Ridley’s ABC anthology series AMERICAN CRIME has always worn its sackcloth and ashes in plain sight, but Season 3 was especially brutal.  It was eight hours of unceasing human misery, enough to make the insides curdle of even the most earnest devotee of serious TV drama.  Understandably, viewers fled, pushing the show’s ratings […]

  The idea of applying a deep coat of existential angst to thriller conventions isn’t new–every Sundance Film Festival has at least a couple of examples of the sub-genre, and there are even sub-sub-genres of the form, like Thomas Pynchon’s Inherent Vice and Bleeding Edge, which add surreal humor to the mix.  With 8+ hours […]

> 21 JUMP STREET:  Watch It At Home – High School Meta-Bromance The meta-ization of contemporary comedy marches on:  Community, of course, is a virtual meta-kingdom, but Happy Endings makes Friends jokes, this week’s 30 Rock undercut what appeared to be its own sentimental ending with jokes poking at viewers who might like sentimental endings, […]