> Although the word “International” is part of the name of the Toronto International Film Festival, it’s still Canada’s premier festival, and naturally features quite a few homegrown films.  Some of the most notable of these have already been announced (like David Cronenberg’s A DANGEROUS METHOD), and today TIFF announced the bulk of the rest.  […]

  FULL FRONTAL WITH SAMANTHA BEE:  Monday 10:30PM on TBS – Potential DVR Alert It is written, apparently, that all alumni of Jon Stewart’s The Daily Show who aren’t starring in movies or sitcoms must have their own comedy news series, and tonight it was the turn of Samantha Bee.  TBS’s marketing of the series […]

  WITCHES OF EAST END:  Sunday 10PM on Lifetime – Potential DVR Alert The supernatural serial isn’t exactly a neglected genre on TV–this week alone brings the season debuts of American Horror Story and The Walking Dead, and The Originals and Sleepy Hollow have just gotten started–but based on its pilot, Lifetime’s new WITCHES OF […]

The problem with making a show about someone dying of cancer is that no one really wants to watch a show about someone dying of cancer.  Viewers will roll along with the dark and disturbing, but by and large they draw the line at bleak and depressing.  So Walter White, on Breaking Bad, hasn’t had […]

  LIFE OF PI:  Worth A Ticket – A Floating Display of Visual Marvels A boy and a Bengal tiger get into a lifeboat… The digital paintbox now available to filmmakers provides an almost limitless variety of visual possibilities, and also a certain amount of temptation, because like any resource, it can be overused.  Ang […]

  BACKPACKERS:  Monday 8:30PM on CW – Change the Channel BACKPACKERS feels like a student film project, although it isn’t one.  Instead, it’s another example of the walls coming down between entertainment platforms:  a Canadian digital series–written and directed by British talent–that aired on CW’s website and has now been picked up for air (along […]

  At what point does unconventional storytelling become perversity for its own sake, a collection of curlicued narratives that operate like the showrunner version of The Emperor’s New Clothes?  It’s a question that came up often in connection with Damon Lindelof’s Lost, especially toward the end of its ultimately frustrating run, and even though THE […]

  POINT BLANK – Worth a Ticket:  A Thrill-Ride with Subtitles   The most gripping Hollywood thriller of the summer is… in French.  (But not for long.)  This isn’t a complete surprise:  POINT BLANK‘s director/co-writer Fred Cavaye may not be a household name, but he made the film Anything For Her, the 96-minute thriller that […]