> TEN YEAR, which premiered tonight at the Toronto Film Festival, is one of the few festival movies that has the feel of a potential hit.  This is because, apart from its hugely engaging cast and, to be sure, some effective writing and directing, it’s really not a “film festival” movie at all, but a […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

> Previously… on THE FIRM:  Mitch McDeere (Josh Lucas), having relocated with his family to the Canadian part of Washington DC, 10 years after the events in the book and movie, has associated his scrappy small practice with a new but equally evil big firm that’s particularly interested in him because of an accused murderer […]

> CARRIE the musical is no longer a joke, and since it’s been a reliable punchline for almost a quarter of a century (a book about Broadway disasters was titled “Not Since Carrie“), that’s quite an accomplishment. Carrie carried a load of baggage before it even opened to a paying Broadway crowd. The original novel […]

> THE KILLING:  Sundays 9PM on AMC No, really:  who did kill Rosie Larsen? WHERE WE WERE:  Possibly throwing something at the TV set.  It’s not all that unusual for a series finale to leave fans disappointed or frustrated–I say this as someone who will never forgive the responsible parties for the ending of Lost–but […]

    Worth a ticket.   In movies, as in life, when someone is offered an illicit miracle drug that seems too good to be true, it usually is. So the general narrative arc of LIMITLESS doesn’t come as a huge surprise. What is surprising is that Neil Burger’s film, predicted to be the highest […]

  COLOMBIANA – Not Even For Free:  Even the Body Count Is Dull   For a movie from the Luc Besson House of Action, COLOMBIANA is surprisingly listless and dispirited.  Besson first came to prominence as a director, with pictures like Subway and The Big Blue to his credit; then in 1990, he hit the […]