DOMINION:  Thursday 9PM on Syfy – Change the Channel Was there really a pressing need to make a TV series out of the schlock horror movie Legion?  It’s not as though the film was much of a hit ($40M total box office in the US, $68M worldwide), nor is it well-remembered even 4 years […]

  If the first season of THE FOLLOWING stands for anything, it’s that the significant difference between the best cable dramas and the vast majority of their network counterparts hasn’t been about the ability to depict extreme violence.  The Following was as relentlessly violent as anything this side of The Walking Dead (and much more […]

  LONGMIRE:  Monday 10PM on A&E LONGMIRE may be the best CBS show not to air on CBS.  A cleanly-executed, straightforward procedural that skews old (3/4 of its viewers are over 50), it’s a show that knows what it wants to accomplish and doesn’t try to reach for more.  The Season 2 premiere, written by […]

  CSI:  Wednesday 10PM on CBS As with Law & Order before it, the franchise that is CSI has dwindled down to a single entry, in this case the original Las Vegas-set version.  The cast has mostly been refurbished, with Ted Danson and Elisabeth Shue now toting the biggest forensics kits, and the ratings are […]

  THE MICHAEL J. FOX SHOW:  Thursday 9:30PM on NBC Note:  NBC aired two episodes of THE MICHAEL J. FOX SHOW on its opening night, the pilot at 9PM followed by the first regular episode in the show’s usual 9:30PM timeslot.  Our thoughts on the pilot are here. Previously… on THE MICHAEL J. FOX SHOW:  […]

  DEXTER:  Sunday 9PM on Showtime Here we are, once again at the outset of the declared final season for a long-lived, successfully distinctive TV series.  The conclusion of DEXTER won’t compare to the upcoming end of Breaking Bad later this summer (or to next year’s exit of Mad Men) in terms of passionate expectations, […]

  At what point does unconventional storytelling become perversity for its own sake, a collection of curlicued narratives that operate like the showrunner version of The Emperor’s New Clothes?  It’s a question that came up often in connection with Damon Lindelof’s Lost, especially toward the end of its ultimately frustrating run, and even though THE […]

> After a full season, it’s still not clear just what HOUSE OF LIES is. The season finale, written and directed by series creator Matthew Carnahan, centered on what became the show’s main storyline in the latter part of its run:  the attempted takeover of the management consulting firm that employs Marty Kaan (Don Cheadle) […]