THE EXORCIST:  Friday 9PM on FOX – Potential DVR Alert Like Noah Hawley’s ongoing take on Fargo, the new FOX version of THE EXORCIST, created for television by Jeremy Slater (one of the unhappy group credited for the script of last year’s awful Fantastic Four reboot) wisely uses the underlying material as inspiration for […]

  RED WIDOW:  Midseason TBD on ABC – If Nothing Else Is On… Disclaimer: Network pilots now in circulation are not necessarily in the form that will air in the Fall. Pilots are often reedited and re-scored, and in some cases even recast or reshot. These critiques shouldn’t be taken as full pilot reviews, but […]

  A guy–almost always a middle-aged white guy–walks out onto a stage and delivers a 10 or 15 minute stand-up routine about current events, to the cameras and a live audience of a few hundred people.  Then he sits behind a desk and for another 10 minutes or so, he does a pre-scripted (sometimes pre-taped) […]

  COVERT AFFAIRS:  Tuesday 10PM on USA   WHERE WE WERE:  At the CIA, where Annie Walker (Piper Perabo), the young, beautiful languages expert who supposedly works for the Smithsonian, is actually an agent.  (She met a guy on the beach while on vacation… it’s not worth getting into.)  Specifically, Annie works in the Domestic […]

  GLASS ONION (Netflix – November 4 in theaters, December 23 online):  After Rian Johnson’s Knives Out broke through to become one of the increasingly few non-IP-based mainstream hits in the market ($311.6M worldwide), Netflix moved aggressively to buy out the franchise, reportedly paying $450M for the next 2 crime-solving adventures of detective Benoit Blanc […]

  If nothing else, this first half of 2014 has been marked as The Year of Eva Green.  Green will probably never be a mainstream Hollywood star–there’s something too feral and broken about her for wide audiences to be comfortable in her presence–but in 300:  Rise Of An Empire and in Showtime’s PENNY DREADFUL, she’s […]

  THE WAY, WAY BACK:  Watch It At Home – Modestly Engaging Coming-Of-Age Tale THE WAY, WAY BACK is one of the last real indie hopes for a original breakout hit this summer (it was a big buy out of Sundance, a $10M purchase by Fox Searchlight, the studio behind the Sundance smash Little Miss […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]