DA VINCI’S DEMONS: Friday 9PM on Starz A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, […]
ROBOCOP: Watch It At Home – A Tinny Remake This weekend’s movie openings feature no less than 3 remakes of 1980s hits, with new versions of ROBOCOP, About Last Night and Endless Love arriving at once, but it’s just as notable that all three were R-rated in their original forms, and two have now […]
EMILY THE CRIMINAL (no distrib): John Patton Ford’s feature debut is a lean, gritty, accomplished thriller with a smashing star performance from Aubrey Plaza. Plaza (who also produced) plays the titular Emily, an aspiring artist whose career got derailed due to a violent incident in college, giving her a record that’s preventing her from […]
THE BLACKLIST was a hit before it was much of a show, and it’s still decidedly uneven. That was underscored again by tonight’s season finale, which killed off–well, apparently; you never know with this series–at least one regular and grievously injured more, but put very few cards on a table that could have used […]
ST. VINCENT (Weinstein) – Opens October 24 – Worth A Ticket Bill Murray has perfected the persona of the grouchy, reluctant hero. The image has even attached itself to him professionally: although he’s not close to being even semi-retired (ST. VINCENT, which premiered at the Toronto Film Festival and opens next month, will be […]
WORTH (no distrib): A dry but fascinating angle on the story of 9/11, Worth centers on the real-life Ken Feinberg (Michael Keaton), an attorney with a very specific expertise: he and his firm calculated and negotiated compensation payouts to victims and survivors of disasters, in order to settle suits brought for their losses. In […]
You couldn’t tell it from the ratings, which were if anything more dismal than ever, or from tonight’s somewhat disappointing season finale, but the return of Founding Genius Dan Harmon rejuvenated COMMUNITY‘s fifth season. It wasn’t that last year’s replacement team had done a shameful job–they worked hard to provide the same species of […]
> Disclaimer: Network pilots now in circulation are not necessarily in the form that will air in the Fall. Pilots are often reedited and rescored, and in some cases even recast or reshot. So these critiques shouldn’t be taken as full reviews, but rather as a guide to the general style and content of the […]