THE SINNER:  Wednesday 10PM on USA – Change the Channel USA’s THE SINNER wants so, so much to be Prestige TV.  Alas, Derek Simonds’ 8-hour drama (based on a novel by Petra Hammesfahr) is more like an exhibition of the genre’s tropes.  There’s the antiheroic protagonist, in this case Cora Tannetti (Jessica Biel), a […]

  After a so-so fall spent mostly in Neverland, ONCE UPON A TIME rebounded strongly with its midseason arc, which brought the Wicked Witch of the West (Rebecca Mader) to Storybrooke.  The plotline effectively continued the process of redemption for former Evil Queen Regina (Lana Parrilla) and Hook (Colin O’Donoghue) that had started in the […]

  SUITS:  Thursday 10PM on USA Last season, SUITS took a leap up in class, becoming not just the smartest and most sophisticated show on USA–which, let’s face it, isn’t the highest bar in the business–but making itself worthy of comparison with some of the best shows on anyone’s air, including legal genre colleague The […]

    WE BOUGHT A ZOO:  Worth A Ticket – Cameron Crowe Pays His Dues and Keeps His Dignity   There’s a classic line in Albert Brooks’s incredibly prescient 1979 Real Life where Brooks, as the prototype of a reality-television director, tries to decide whether to do something unethical.  His rationalization for going ahead:  “What […]

  The trouble with trying to recommend THE ONE I LOVE , written by Justin Lader and directed by Charlie McDowell, is that it’s impossible to describe how clever, surprising and intriguing it turns out to be without giving up its secrets.  It begins straightforwardly–so much so, in fact, that you might need to restrain an “Ah, […]

  If nothing else, this first half of 2014 has been marked as The Year of Eva Green.  Green will probably never be a mainstream Hollywood star–there’s something too feral and broken about her for wide audiences to be comfortable in her presence–but in 300:  Rise Of An Empire and in Showtime’s PENNY DREADFUL, she’s […]

  Throughout its first season, COPPER has almost never been as vivid as it seemed like it should be.  The show’s premise and auspices were promising:  the lead producers were Barry Levinson and Tom Fontana, who apart from their illustrious solo credits, had combined as a team for the seminal cop show Homicide:  Life On […]

  REVENGE, in its second season, demonstrates the perils of stretching a good thing too far.  (Also being stretched:  ABC’s concept of a “fall finale,” since unlike shows like Revolution and The Walking Dead that won’t be returning until February or March, Revenge will be back after the holidays.) Revenge started with a premise that […]