THE CAMPAIGN:  Not At Any Price – Abstain THE CAMPAIGN, like many a politician before it, tries to be all things to all people, and winds up delivering almost nothing. There was reason to be hopeful about The Campaign, mostly because its director, Jay Roach, seemed to embody exactly the mix the movie was […]

  LAWLESS:  Watch It At Home – A Moonshine War To Make You Long for “Boardwalk Empire” Director John Hillcoat specializes in stark, emotionally distanced pulp, and if that sounds like a contradiction in terms, often it is.  His Australian western The Proposition, about a man murderously stalking his own brother, had a gnarled power, […]

  THE MASTER:  Worth A Ticket – The Title Describes the Filmmaker Our shorthand for describing movie directors, even great ones, is to compare them to other filmmakers.  So Quentin Tarantino is Sergio Leone plus half a dozen (at least) obscure exploitation and art-house directors, Soderbergh is Godardian, Scorsese recreates the aesthetic of Michael Powell, […]

  SCANDAL:  Thursday 10PM on ABC WHERE WE WERE:  Washington DC, where Olivia Pope (Kerry Washington) is the best fixer around.  Not a lawyer (although she has a law degree), not a publicist (although she’s expert at manipulating the press), and not a lobbyist (although she’s been known to influence public policy), she’s the one […]

  MAJOR CRIMES has been doing for TNT what it was created to do–that is, fill the hole left by the departure of the network’s long-running hit The Closer–and it’s earned the Season 2 renewal it’s already received.  Putting aside a bump for last night’s season finale, it’s been getting around a 0.7 rating in […]

  Did anyone, anywhere, expect LIZ & DICK to be something other than junk?  Lifetime’s TV-movie, with its stunt casting of Lindsay Lohan as Elizabeth Taylor, was calibrated to get train-wreck eyeballs (it might as well have come with a TMZ tie-in) and it certainly may succeed at that.  There’s some justice to this, since […]

  NOT FADE AWAY:  Watch It At Home – The Tumultuous 1960s (Again) What do you do after you’ve created the seminal television drama of our time?  If you’re David Chase, it seems that you take a few years off to soak in your Sopranos adulation and awards (consistently refusing to discuss the controversial ending, […]

  The screenplay for THE SPECTACULAR NOW, a Dramatic Competition entry at Sundance, was written by the team of Scott Neustadter and Michael H. Weber, who also wrote (500) Days of Summer, but the new film has none of the breezy and somewhat gimmicky visual style of that hit.  Director James Ponsoldt, instead, goes to the […]