SATURDAY NIGHT LIVE went musical in a big way for its host, Anna Kendrick, and that mostly wasn’t a bad thing.  Kendrick is a genuine musical-comedy performer, with not just the novelty hit “Cups” from Pitch Perfect to her credit but a lead in the upcoming film of Stephen Sondheim’s Into the Woods on […]

  ANIMAL KINGDOM:  Tuesday 9PM on TNT – In the Queue The opening hour of TNT’s new ANIMAL KINGDOM is daringly light on plot.  Although TNT’s meat and potatoes programming is still mainstream entertainment like The Last Ship and Rizzoli & Isles, it’s been trying to cultivate a darker, more adult image lately, albeit not […]

  ABBY’S:  Thursday 9:30PM on NBC Unless the general public cares about a multi-camera sitcom being shot outdoors, NBC’s new ABBY’S may face a tough road.  Aside from that technological distinction (handled with seeming effortlessness by director Pamela Fryman), Abby’s feels like the kind of sitcom that might have tried to coast off the vibe […]

> The title “Best Drama On Network Television” used to mean a lot more than it does these days (what’s the competition?  Parenthood has lovely moments but also its share of contrivances; Fringe and The Vampire Diaries are terrific niche shows), but for whatever it’s still worth, THE GOOD WIFE continues to own the crown.   […]

THE SUBSTANCE (MUBI – Sept. 20):  It’s quite a feat to take the body horror crown at a film festival that also features a contribution from David Cronenberg, but Coralie Fargeat’s The Substance uses its revolting imagery in a funnier, crazier, and more focused manner than Cronenberg’s The Shrouds.  The setting is an only slightly satiric […]

  THE GOODWIN GAMES:  Monday 8:30PM on FOX Previously… on THE GOODWIN GAMES:  After the death of their father Benjamin (Beau Bridges), his estranged children–type-A surgeon Henry (Scott Foley), underperformer Chloe (Becki Newton) and petty ex-con Jimmy (T.J. Miller)–discover that they’ll have to maneuver through a gauntlet of his specially designed games in order to […]

  There is a reason, or at least an argument, for why almost everything in Paul Haggis’s THIRD PERSON feels synthetic and contrived–but I can’t make it here, because doing so would expose the film’s purported surprises.  And I’m not sure it really matters anyway, since even though, after the fact, one might be able to “justify” […]

  HAPPYLAND:  Tuesday 11PM on MTV – Worth A Look After years spent as far away from scripted series as it could get, MTV has been accumulating a tidy set of programming lately that caters to its target demo without pandering to it, including Teen Wolf and Finding Carter on the drama side, along with […]