> THE THREE STOOGES:  Watch It At Home – More Nyuks Than You’d Expect The Farrelly Brothers’ THE THREE STOOGES is better than its marketing campaign let on, and while that would be more impressive if the trailer and ad materials hadn’t been almost unwatchably bad, it still makes for a welcome relief. The quick-cut […]

  Once it became clear that, for the most part, THE LAST SHIP was science fiction only in the strictest sense (there was science and it was fiction), it was fairly enjoyable for the neo-Tom Clancy-esque action-adventure it aspired to be.  Much of Season 1 was, for all intents and purposes, a Cold War saga, […]

  SMASH:  Tuesday 10PM on NBC The intermission that began last May is over, and what SMASH desperately wants you to know isn’t just a second season but a full-fledged Version 2.0 kicks off with the self-aware lyric “I know I’ve kept you waiting/I know I’ve made you mad.”  In an attempt to get the […]

  MASTERS OF SEX:  Sunday 10PM on Showtime Previously… on MASTERS OF SEX:  In 1956, brilliant but arrogant and socially awkward fertility expert William Masters (Michael Sheen) prepares to start his trailblazing research into the physicality of human sexuality.  His own personal life is hardly beyond reproach–he’s allowed his wife Libby (Caitlin Fitzgerald) to believe […]

  Whatever one can say about Chris Columbus–and there’ll be plenty of less than glowing words about him below–he’s the man who cast Daniel Radcliffe, Rupert Grint and Emma Watson as the leads in 2001’s HARRY POTTER AND THE SORCERER’S STONE, and for that Warners should name a building after him.  The three grew over […]

> But first–a nod to the sly marketing department at AMC, which cleverly lampooned its own predicament of trying to persuade at least some of the hordes of WALKING DEAD fans to stay tuned to the network next week for a very different show.  The result was a pair of lighthearted promos for Mad Men […]

  The midseason finale of the purported romantic thriller BEAUTY & THE BEAST delivered almost all romance, no thrills, as it continues to have only a glancing relationship with its title. Plotting has been this show’s weak spot from the start, so the fact that its procedural crime-solving story of the week was underdeveloped to […]

  For this audience member, it was the day Toronto moved into high gear. MOONLIGHT (A24 – October 21):  Barry Jenkins’s second film, after his little-seen but much-praised Medicine For Melancholy, is a validation of film festival culture and a reminder of the power of film as personal expression.  (Although the source material is a […]